16 articles in this issue
Uredniški odbor
Preface
Katarina Bedina
The paper is aimed at analysing the dilemmas of compositional technique and aesthetics in Slavko Osterc, the non-conformist avant-garde figure of Slovene inter-war music, who always kept his own conception of new music abreast, or else in the very heart, ... see more
Marija Bergamo
Slovene philosopher France Veber (1890–1975), a student of the philosopher Alexius Meinong of Graz, conceived his Estetika (Aesthetics, 1925), Slovenia's sole unified aesthetic system so far, in accord with the contemporary „Austrian variant“ of phenomeno... see more
Nikša Gligo
The present study examines the applicability of the term "Post-Modernity" as, on the one hand, a designation of a period and, on the other hand, the negation of Modernity which, from the latter half of the 19th century, has assumed the meaning of modernit... see more
Ivan Klemencic
Ljubljana-born composer Franc (Francesco) Pollini (1762–1846), later active in Milan, Italy, was that member of Slovenia's musical emigration in the period of classicism who achieved greatest international recognition. Though of little consequence to Euro... see more
Koraljka Kos
The present study first draws parallels between the comprehensive ballads of Vatroslav Lisinski (1819–1854) and those of Johann Rudolf Zumsteeg (1760–1802). Proceeding from the tradition of the Zumsteeg ballad (which served as learning material to young S... see more
Nadežda Mosusova
Hristic's "Ohridska legenda" (The Legend of Ochrid), Serbia's and Yugoslavia's national ballet, was first performed in Belgrade 1933 in one-act, and 1947 in its four-act, final, version. The sources for the ballet's inspiration are many as well as heterog... see more
Roksanda Pejovic
For the typical characteristics of the Balkan instruments to be discovered and their history to be penetrated, a wide range of musical instruments have been taken into examination, starting from those of Greece to those from the territory now occupied by ... see more
Danica Petrovic
The Serbs had been settling in Trieste as merchants and navigators from Bosnia and Dalmatia since the first half of the 17th century. As early as 1748, they were granted their status of this free town by the court of Vienna. Being members of the Orthodox ... see more
Danilo Pokorn
The subject of the article is the old music collection kept in the Abbot Church of St. Daniel's, Celje (Slovenia's third largest – and likewise prominent – town). The collection that has so far been unknown in scholarly reference works ranks among the fai... see more
Andrej Rijavec
The article discusses two of the three folders (Counterpoint and Fugue – I, Harmony – II, Composition – III) of the correspondence course – an unhabituated way of leaming one's trade as a composer in itself – that Karol Pahor took with Slovenia's leading ... see more
Jože Sivec
In the evaluation of the results that the German theatrical companies appearing in Ljubljana had in the realm of opera in the period discussed, the fact should not be overlooked that their activities would meet with unfavourable economic conditions there.... see more
Jurij Snoj
The article is a presentation of the treatise under the same title defended in 1988 at the Philosophical faculty in Ljubljana as doctoral dissertation (cf. Muzikološki zbornik XXIV). There are 151 fragments in Ljubljana depositories meeting the specificat... see more
Manica Špendal
The composer Valentin Lechner was working in Maribor as a professional musician („Musikmeister“) from about 1800 to 1805. His preserved, mostly sacred musical pieces would suggest that Lechner must have been an organist at Maribor parish church. The rare ... see more
Lovro Županovic
Ivo Prišlin ( 1902–1941) belongs to that group of Croatia 's composers who were not only prevented from expressing themselves fully as creative writers but were also driven into total oblivion together with their musical output by their untimely deaths. R... see more
Darja Frelih
Bibliography of Articles I–XXV