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ISSN: 0580-373X    frecuency : 4   format : Electrónica

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Volume 21 Number 1 Year 1985

9 articles in this issue 

Dragotin Cvetko

Wechselseitige Beziehungen zwischen Musik und Gesellschaft

Pags. 5 - 15  

Danilo Pokorn

Gallus used also for his secular music the Latin language, indicating the contentual difference from madrigals by designations "Harmoniae morales", "Moralia", – in a free translation: "Golden Lessons". They are characterized by moral seriousness and the e... see more

Pags. 17 - 32  

Jože Sivec

In the comparative study presented here the author first concentrates on "Ecce, quomodo moritur iustus" by the composers M. A. Ingegneri and L. Viadana and on Gallus' motet with the same text; the compositions have clearly features in common – compact hom... see more

Pags. 33 - 49  

Manica Špendal

From the text of the article published in "Slovenski gospodar", July 25, 1896, by the philological and literary publicist Fran Solcavski (France Štiftar) it is evident that the author of the libretto Enrico Golisciani had chosen Maribor (Marburg an der Dr... see more

Pags. 51 - 59  

Primož Kuret

The violinist Leo Funtek, son of the Slovene poet and translator Anton Funtek, aroused admiration of musical critics already with his initial performances with the orchestra of the Philharmonic Society in Ljubljana at the time when he was a pupil of Hans ... see more

Pags. 61 - 69  

Ivan Klemencic

The stage of development of the more recent Slovene music is directly related to the nationalistic movement from the mid 1950's onwards. Conscious efforts for the creation of a Slovene musical culture, which had been since the Middle Ages developing as a ... see more

Pags. 71 - 86  

Katarina Bedina

The ten letters which Ivan Pucnik sent to his friend, the composer Franc Šturm, during his compositional studies with Alois Hába in Prague disclose some so far unknown information and sources from the circle of Slovene composers gathered around Slavko Ost... see more

Pags. 87 - 95  

Zmaga Kumer

The author is here concerned with a Slovene narrative song, first recorded in 1957. The assumption is that this is a song by an individual composer but sung by people in general. In the Slovene artistic poetry there seems to be no textual example while in... see more

Pags. 97 - 102  

Katarina Bedina

The Problem of the Sonata Form in Slovene Piano Music

Pags. 103 - 105