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ISSN: 0580-373X    frecuency : 4   format : Electrónica

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Volume 54 Number 1 Year 2018

17 articles in this issue 

Nejc Sukljan

This paper deals with the tuning question as it is discussed in Gioseffo Zarlino’s principal musical-theoretical treatise, Istitutioni harmoniche (1558). First, Zarlino’s tuning system in vocal music (the syntonic diatonic) is presented; then, its shortco... see more

Pags. 5 - 22  

Aleš Nagode

Benjamin Ipavec is deemed to be the key composer of Slovenian nationalistic movement in the 19th Century. But he also composed solo songs with piano accompaniment on German texts. He is typical representative of musical “biedermeier”. He attempted to achi... see more

Pags. 23 - 30  

Katarina Šter

The present article opens some new questions about Begunka pri zibeli [The Refugee by the Cradle], one of Anton Lajovic’s best and most expressive songs for voice and piano, which was also connected with the historical events by the Soca/Isonzo front in t... see more

Pags. 31 - 48  

Vesna Peno, Ivana Vesic

In this paper, we will focus on the historical reconstruction of Stevan Stojanovic Mokranjac’s work in the field of melography and pedagogy of Serbian church chant. Since the prestigious status he reached among his contemporaries, as well as musicologists... see more

Pags. 49 - 58  

Klara Hrvatin

The article gives first insights into the correspondence of the Sogetsu Art Center with the artist Henry Jacobs and the composer Edgard Vare`se, as well as – for the first time – into letters referring to the above-mentioned correspondence. At the same ti... see more

Pags. 59 - 73  

Jasmina Talam, Lana Pacuka

Traditional folk music of Bosnia and Herzegovina can be best understood in light of the multicultural heritage of Bosniaks, Serbs and Croats, as well as many ethnic minority groups. But in the period 1878–1918, traditional music became open to Western Eur... see more

Pags. 75 - 87  

Vesna Ivkov

From a phenomenological point of view, Sevdalinka – the urban song of the Bosnian-Herzegovinian population, has always attracted scholarly interest. The presence of this form is evident in Serbia as well, performed only vocally/instrumentally and vocally-... see more

Pags. 89 - 106  

Svanibor Pettan, Lasanthi Manaranjanie Kalinga Dona

The article presents the case of a creative Indian classical music artist respectful of tradition and open towards experimentation. Based on the interviews and participant observation, it presents the artist‘s views and his four innovative musical instrum... see more

Pags. 107 - 122  

Vita Lunežnik, Ana Hofman, Nives Licen

The article focuses on the benefits of music for older adults in retirement homes. Relevant literature was studied to investigate the theoretical and sociocultural context. Furthermore, participatory action research was conducted in the Ptuj retirement ho... see more

Pags. 123 - 140  

Katarina Habe, Snježana Dobrota, Ina Reic Ercegovac

The aim of this study was to explore the differences in musical preferences between Slovene and Croatian students. The sample consisted of 369 students from Slovenia and 371 students from Croatia. The results show that there are significant differences in... see more

Pags. 141 - 156  

Matjaž Barbo

Helmut Loos se v svoji monografiji sooca s temeljnimi vprašanji recepcije, razumevanja in vrednotenja glasbe, dolocenih znotraj koncepta umetnostne religije moderne.

Pags. 157 - 162  

Jernej Weiss

The monograph The Art of Music in the Period from Monteverdi to Bach by Jurij Snoj is an original scientific work that brings an in-depth review of the history of European art music during the Baroque Period. In recent times, quite a few scientific monogr... see more

Pags. 163 - 168  

Urša Šivic

At the end of 2017, Cambridge Scholars Publishing published an edited volume titled Historical Sources of Ethnomusicology in Contemporary Debate, which included a series of presentations given at two different international conferences organised by the St... see more

Pags. 169 - 176  

Ivana Medic

Ten years ago, tasked with reviewing Marina Frolova-Walker’s first book Russian Music and Nationalism: From Glinka to Stalin (Yale University Press, 2007), I praised the author for dismantling long-standing myths and questioning the activities of some of ... see more

Pags. 177 - 182  

Ines Cvitkovic Kalanjoš

The Roms are the most numerous minority group in Europe, a people without a parent state, and potentially an important factor in determining cultural policies and in the implementation of the educational process in the context of national states. On the t... see more

Pags. 183 - 186  

Jelena Grazio

The dissertation Terminology in Slovene Music Textbooks from the year 1867 until the present day presents the first systematic musicological research into the development of some basic Slovene music theory terminology from the year 1867 until the present ... see more

Pags. 187 - 190  

Larisa Vrhunc

Doctoral thesis The Influences of Spectral Music on Slovenian Compositional Creativity in the Last Few Decades seeks to provide answers to two sets of questions. The first set examines the definition of spectral music and its role in European history of m... see more

Pags. 191 - 194