9 articles in this issue
Jože Sivec
Dragotin Cvetko is noted foremost as the doyen of Slovene musicology. All bibliographies drawn upon his works confine themselves to either his most significant works or selections of his works. This bibliography is the first serious attempt at combining a... see more
Nataša Kricevcov
The issue concerning the centre-oriented thinking in West-European music is defined from two perspectives. First it is dealt with from the point of view of Western metaphysics, that is the concept of the circle with a centre. This circle, which correspond... see more
Ivano Cavallini
The paper considers two aspects of the history of music of Istria which can be noted towards the end of the first half of the 17th century. First of all it is evident that G. Puliti was highly personal in his approach to parody technique, in which there w... see more
Katarina Bedina
The period of Baroque music in Slovene provinces has been relatively well highlighted. This historical era is generally regarded as a rich and, in all aspects, creative – though full of contradictions – awakening of music in Slovenia of that time. All for... see more
Cvetka Bevc
The history of music does not consider realism as a style tied up to a certain era. A realistic mode of expression, however, crystallized in the 19th century. Realism in music can be regarded as a function of a certain mode of expression that, by means of... see more
Jarmila Doubravová
Influence of Foreign Musical Cultures in the Work of Miloslav Kabelác
Matjaž Barbo
Not only the means used in music, but the whole complex of music is tied up with a given space and time. That is why we cannot look for a universally comprehensible Esperanto in music as it mirrors a specific response to sound in the ears of individual cu... see more
Hormoz Farhat
Western Musical Influences in Persia
Borut Loparnik
Modernism in Slovene Music and Marij Kogoj