15 articles in this issue
Simona Molicnik
Ker je bil Borut Loparnik osebnost globokih nacel, so digitalna ugodja ter z njimi povezani spremenjeni miselni procesi, vrednostni sistemi in estetski nazori ostali onstran njegovega humanisticnega razumevanja in dojemanja. Njegov globoki smisel pa je os... see more
Niall O’Loughlin
Many of Ivo Petric’s last works are orchestral. Some are related to his native Slovenia, while others are concertos for various solo instruments. They are normally in one movement, either showing some connection with traditional separate movements or mult... see more
Pavel Sýkora
Highly effective mode of solution to the crises in the Mannerist epoch is the solution in artistic structure. This article compares tendencies towards polycentric composition by two artists who were born in the 1560s – Claudio Monteverdi and William Shake... see more
Aleš Nagode
Im vorliegenden Aufsatz wird der Historismus als Richtung in der Kirchenmusik des 19. Jahrhunderts erörtert, deren Vertreter mithilfe einer Wiederbelebung historischer Werke und dem Komponieren neuer Werke nach historischen Vorbildern die wahre Kirchenmus... see more
Karmen Salmic Kovacic
The theme of this article was inspired by a series of questions that arise to researchers when discussing compositions by musical modernist Slavko Osterc and his pupils from the first half of the 20th century, whose music was neither "tonal" nor extreme "... see more
Jelena Panic Grazio
The article presents the results of research into the influence of intralinguistic and extralinguistic factors on the phenomenon of variability in Slovene music terminology. Examples of variability in current and in older textbooks are presented. The anal... see more
Marija Kocic, Maja Vasiljevic
This paper was primarily based on correspondence of Marco Foscari IV, member of respectable patrician family who served from 1789 to 1792 as Captain Raspa of a small fortress in Istria. His correspondence with close friends discloses opportunities in Veni... see more
Peter Andraschke
Arnold Schönbergs frühe kompositorische Entwicklung vor dem Opus 1 ist geprägt durch die Auseinandersetzung mit Literatur. Ein wichtiger Autor für ihn war damals Ludwig Pfau. Am Arbeitsprozess des Klavierliedes „Mein Schatz ist wie ein Schneck“ wird die... see more
Loo Fung Chiat, Loo Fung Ying
This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘... see more
Ivana Medic
The term nesudena avangarda (“undestined avant-garde”) was coined by Milorad Belancic to describe Vladan Radovanovic’s unique artistic destiny. Although Radovanovic was the only truly avant-garde Serbian composer in the post-World War II Yugoslavia, his o... see more
David Kozel
The study deals with the relationship between myth and music of the 20th century. Myth is a structuring principle affecting music by remythologisation. The author analyses time models in mythological thinking in confrontation with new models of time in mu... see more
Katarina Zadnik
Comparison of primary music school education in Slovenia and Montenegro showed distinctive historical development. Contemporary education lasts for 10 years in Slovenia, 9 years in Montenegro. Enrolment in Slovene system is available for 5-year-olds, in M... see more
Joško Caleta
Ganga, currently the most popular traditional vocal genre of the Dinaric area (stretching across Croatia and Bosnia and Herzegovina), is one of the last examples of the archaic style of music making, entirely different from traditional styles and genres b... see more
Ivan Florjanc
As an astute researcher of the musical heritage in medieval codices, the Slovenian musicologist Jurij Snoj condensed in one book his life’s work, which he pursued both professionally (as well as privately) at the Institute for Musicology of the Research C... see more
Anita Prelovšek
This doctoral dissertation provides an insight into funeral music as an ethnomusicological, anthropological, economic and cultural phenomenon, which has so far in Slovenia not attracted appropriate scholarly attention. It focuses on the role and importanc... see more