9 articles in this issue
Nikša Gligo
Nakon sabranih sjecanja. Primožu Ramovšu u spomen
Ivan Klemencic
Looking back on the composer's creative journey and work in this year of his death, we are interested in his internal development and, along with this, his artistic identity. His identity took shape in a special relation to sound, that is, its abstraction... see more
Zoran Krstulovic
The catalogue of works by Primož Ramovš, a member of the Slovene Academy of Science and Art, contains the data about his compositions and their publication in print. The catalogue is based on the preserved manuscripts and/or fair copies of his works, comp... see more
Dalibor Davidovic
Beispiele der Theoriebildung in der Musikwissenschaft
Metoda Kokole
The earliest historically documented operatic performance in Ljubljana was an Italian opera, staged in 1660 at a garden-party organised by Count Wolfgang Engelbert Auersperg for the Emperor Leopold I, during his state visit to his hereditary duchy of Carn... see more
Niall O'Loughlin
The Rondo in Mahler's Middle Period Symphonies: Valid Model or Useful Abstraction
Darja Koter
In Slovenia we have not long been dedicating ourselves to the development of instrument making, and even in »foreign« literature this subject is rarely mentioned. Up till now organ and violin making have been the most comprehensively examined, but researc... see more
Isaac Posch and his Musical Works
The Characteristics of Compositional Technique of L. F. Schwerdt with a Special Consideration of His Masses