13 articles in this issue
Jurij Snoj
Proceeding from some discussions of the topic from the last two decades (T. C Mark, G. Tomlinson, P. Kivy, R. Scruton) the following three theses are developed and proposed: 1. The differences between music and non-interpretative arts (literature, paintin... see more
Leon Stefanija
Considering the frequently stated assumption that the current position of (and within) the field of music analysis is "uneasy", the author, through four focuses, discusses some vital characteristics of music analysis. Firstly, he speaks about morfology ("... see more
Gregor Pompe
The article tries to discover the main traits of musical postmodernism by detecting why all the attempts at its understanding have led musicologists to diametrically opposed views in the last twenty years. These have their origins in the writings of the e... see more
Špela Tršinar
Although Slovenian piano music began to develop in the early 19th century, the first turning point came only with the New Chords magazine (Novi akordi, 1901–14). Its editor, Gojmir Krek, made every effort to improve the level of instrumental, and therefor... see more
Karmen Salmic Kovacic
The article presents an analysis based on the theory of structural functions in music by Wallace Berry of the composition Towards Liberty (1944), written by Osterc's student and Slovenian modernist in the period between the World Wars, Demetrij Žebre. Its... see more
Anuša Volovšek
On the basis of analytical results concerning Shostakovich's First Symphony and its relevant musical texts in periodicals, the public reception of the composer and his work was observed. For this purpose, concert programme notes of the Slovenian Philharmo... see more
Niall O'Loughlin
The music of Uroš Krek combines symphonic economy with expressive emotion. Even in the earlier neo-classical and folk music influenced works, this character was evident. Many of these works are written for string instruments for which Krek has a particula... see more
Matjaž Barbo
Augustine says that time evaporates between the reality of the present moment and the fathomless border between the past and the present, in fact the unfathomable "nothingness" that appears and vanishes simultaneously. The phenomenology of musical time wi... see more
Ivan Klemencic
The text, resulting from an invitation by the organizer of the International Symposium on the occasion of the fiftieth anniversary of RISM, Frankfurt 2002, wishes to present the collaboration with RISM that has taken place in Slovenia up till now, while h... see more
Darja Frelih
Since 1993 Slovenia has been taking an active part in the international project of RISM (Répertoire International des Sources Musicales = International Inventory of Musical Sources), with the Series A/II (Music Manuscripts after l600). In that year the RI... see more
Simona Molicnik Šivic
The Music and Manuscript Archives of the New Chords (Novi akordi), 1901–1914
Urša Šivic
The Musicological Aspect of the Transformation of Latter-Half-Nineteenth-Century Art Songs into Folk Songs
Symphonic Works of Lojze Lebic