8 articles in this issue
Robert S. Hatten
After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1994) presents a new approach to understandin... see more
Nico Schüler
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e. the application of information theory to aesthetics, as w... see more
Susanne Kogler
There is no doubt, that Adomo's critical monographs and essays on Wagner and Strauss, as well as the text on Sibelius, number among the most controversially discussed parts of his oeuvre. One important reason for this controversial reception is the fact t... see more
Edo Škulj
The subject under discussion deals with four music collections with similar titles: Slovene Turtledove (Slovenska gerlica), (Fleišman's) Turtledove (Gerlica), (Kumar's) Turtledove (Grlica) and the Turtledove Review (Grlica). Hence the rather complicated h... see more
Špela Lah
The opening of the new Regional Theatre at the beginning of the 1892/93 season, a hill decade after the devastating fire, was a turning point in the performing history of the Slovene musical theatre. The foundation stone for operatic performances of the S... see more
Katarina Bogunovic Hocevar
Janko Ravnik aroused the attention of the Slovene musical public in the twenties of the 20th century, when his first compositions appeared in the New Chords (Novi akordi) review. After finishing his piano studies in Prague, he introduced himself to domest... see more
Ivan Lešnik
Tone Systems in Slovene Folk Music
Aleš Miholic
The piano Opus of Janez Maticic until 1960