11 articles in this issue
Katarina Bedina
Celebrations marking the 300th anniversary of Tartini's birth, held in his birthplace, Piran/Pirano, have given rise to an examination of the musical background of his work in present-day Slovenia. That was the time of the baroque, which was followed by a... see more
Marija Bergamo
The paper is concerned with Tartini's views on aesthetics from the standpoint that in his time it was easier to live with music than to ponder upon it. It is pointed out that his work is based on patterns and models at a time when views on music and on re... see more
Margherita Canale
Fonti per una ricostruzione della didattica di Tartini nella "Scuola delle Nazioni"
Tomaž Faganel
Studies on the theory of music by C. Ph. E. Bach, L Mozart, Quantz and Tartini in particular, which are mainly handbooks giving instructions about individual instruments, are informative as to the characteristics of performing practice and aesthetics at t... see more
Vjera Katalinic
Of over fifty registered Croatian music collections, twelve comprise compositions by seven members of the Tartini circle. These are works by Tartini himself, by two of his contemporaries (A. Calegari and Francesco Antonio Valotti) and by four of his pupil... see more
Bruno Ravnikar
The first part of the article describes the contemporary standpoint in explaining the occurence of combination tones. They are caused by a nonlinear process in the human hearing organ. To the original tone, according to the Fourier theorem, higher harmoni... see more
Andrej Rijavec
The paper deals with the Violin Concerto in D Minor (D. 45) by Giuseppe Tartini. The composition is typical of his third period of creativity. The study represents an attempt to analyze or rather interpret Tartini's approach to composition in a single exa... see more
Stanislav Tuksar
Giuseppe Michiele Stratico (31. 7. 1728 - after 1782) - the composer, violinist and descendant of noble families Stratico and Castelli di Chio from Zadar, Croatia, but originating from Italian colonies in Greece - was close to Giuseppe Tartini sometime du... see more
Jurij Snoj
The paper concerns a bifolio fragment from the National and University Library in Ljubljana, which contains sections of two treatises by Guido of Arezzo: Chapter 17 of his Micrologus and most of his Prologus in antiphonarium. According to its paleographic... see more
Ivan Klemencic
The paper discusses the family background of the composer Francesco Pollini from the 16th century onwards, his life from his birth in Ljubljana in 1762 up to approximately his father's death in 1786, and the people he associated with until 1802 while livi... see more
Primož Kuret
Musikikonographie und Volksmusik in der slowenischen bildenden Kunst