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ISSN: 0580-373X    frecuency : 4   format : Electrónica

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Volume 44 Number 2 Year 2008

7 articles in this issue 

Marija Bergamo

In memoriam Urošu Kreku (1922-2008), klasiku novejše slovenske glasbe, avtorju obsežnega in dragocenega orkestralnega, komornega, klavirskega in zborovskega opusa ponuja v premislek oporne tocke in premise njegovega skladateljevanja. Analizira njegovo duh... see more

Pags. 5 - 10  

Leon Stefanija

The article describes the creative views and solutions of Uroš Krek, a prominent Slovenian musician: composer, professor of composition at the Academy of Music in Ljubljana, ethnomusicologist and chief broadcasting music editor, academician of the Sloveni... see more

Pags. 11 - 16  

Niall O’Loughlin

The author defines the style of the composer Uroš Krek whose music has a reputation for high quality and emotional content. He uses the basic stylistic periods, neo-classicism, folk music influence, melodic cells, and a combination of these three, but arg... see more

Pags. 17 - 28  

Pavel Sýkora

Toward the end of his life, Jacobus Handl-Gallus (1550-1591) wrote two books of madrigals: Harmoniae morales and Moralia. The uniting element of both cycles is, except for the moralizing contents, Latin language, which is not usual for madrigal style.&nbs... see more

Pags. 29 - 38  

Niall O’Loughlin

Mahler composed his Sixth Symphony with the Scherzo preceding the Andante, but reversed them before the first performance for all performances and published editions. However, some prominent musicians still insist on this order. With numerous thematic and... see more

Pags. 39 - 52  

Urška Šramel Vucina

Ljubljanski filharmoniji, ki je formalno delovala med letoma 1934 in 1943, je v šestih aktivnih glasbenih sezonah ob nekaterih manjših prireditvah uspelo izvesti dvajset vecjih orkestralnih nastopov in tako zapolnjevati vrzel v prirejanju simfonicnih konc... see more

Pags. 53 - 68  

Miloš Zatkalik

The aggregate and the process of its completion introduce goal-directed motion into a non-tonal and (usually) non-serial work. This can delimit its syntactic or formal units, provide connection between them, or articulate its tension-release patterns. The... see more

Pags. 69 - 86