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ISSN: 0580-373X    frecuency : 4   format : Electrónica

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Volume 17 Number 2 Year 1981

15 articles in this issue 

Janez Höfler

The article deals with the Ljubljana cathedral music chapel during the 1800-1810 years. During that time the "Musikkapelle" was of the following composition: four violinists, two oboists, two hornists, four singers (a soprano, an alto, a tenor, a bass), o... see more

Pags. 7 - 21  

Ivan Klemencic

The study is first of all concerned with the developmental course of expressionism and of the music inside that course, and in particular with a critical discussion of certain relevant pronouncements of musicologists made so far. In accordance with the au... see more

Pags. 29 - 49  

Koraljka Kos

Medieval iconographic musical sources in Yugoslavia are mostly listed and discussed in works dealing separately with material from Slovenia and Croatia on the one hand and from Serbia and Macedonia on the other. Those sources, however, facilitate wider co... see more

Pags. 51 - 60  

Zija Kucukalic

A continuous development of professionai musical activity in Bosnia and Herzegovina cannot be traced until after the Austro-Hungarian occupation of 1878; but, according to Dubrovnik sources, professional musicians, singers and players existed already in t... see more

Pags. 61 - 68  

Zmaga Kumer

Karel Štrekelj, the editor of "Slovenske narodne pesmi" (Slovene Folk Songs), (Ljubljana 1895-1923) has done great service also to the Slovene ethnomusicology – for a series of years he was the chairman of the Slovene Committee for Collecting Slovene Folk... see more

Pags. 69 - 75  

Primož Kuret

When studying at the Conservatorium in Vienna Gustav Mahler became friends with Anton Krisper, of Ljubljana. Krisper (1858–1914) is generally taken to have been a highly gifted and extremely sensitive character. In 1879 and 1880 Mahler wrote six letters t... see more

Pags. 77 - 83  

Nadežda Mosusova

Stanojlo Rajicic (b. 1910), an outstanding Serbian composer and one of the leading Yugoslav ones, turned to opera after the Second World War, when he was already a mature and generally recognized artist. Otherwise an author of numerous solo, chamber, symp... see more

Pags. 85 - 100  

Roksanda Pejovic

Since 1860s – parallel with the growing interest in music – there have been coming up publications dealing with the developments in music in Serbian towns, thus:1 reports, rules and regulations of singing societies and musical schools;2 musical textbooks ... see more

Pags. 101 - 110  

Danica Petrovic

Polyphonic singing appeared for the first time in Serbian churches in the 1830's, after several centuries of exclusive cultivation of church singing in unison. The change was brought about chiefly through the influence of Russian liturgical music, but als... see more

Pags. 111 - 122  

Danilo Pokorn

The study offers a contribution towards an issue so far comparatively little studied: how are Slovene works of literary art treated by composers. The beginnings of the vital interconnections between literature and music go back almost two hundred years, t... see more

Pags. 123 - 134  

Andrej Rijavec

Slovene chamber music today has both accomplished its own integrity and gained an equal footing with other participants in musical strivings within Europe and beyond. It is able to present genuine achievements in practically every field of chamber music, ... see more

Pags. 135 - 143  

Jože Sivec

After the first attemps made in musical historiography in the second half of the 19th century, the endeavours in this field acquired with J. Mantuani at the beginning of the present century a professional and scholarly character. Within the framework of t... see more

Pags. 145 - 181  

Ivo Supicic

An early form of "mass" musical culture arose in European musical life not in the nineteenth, but already in the last third of the eighteenth century. The definition of "mass" musical culture should be conceived in a relative historical perspective. The q... see more

Pags. 183 - 189  

Manica Špendal

Janko Ravnik's Lieder

Pags. 191 - 198