11 articles in this issue
Ivo Supicic
The question of progress in music was at least implicitly present long before it found expression explicitly in different theories. Until the 17th century, musicians spontaneously felt that music was progressing: it was the music of their own time which w... see more
Dimitrije Stefanovic
The Works of Stefan the Serb in Byzantine Music Manuscripts of the 15th and 16th Centuries
Jože Sivec
The collection »Flores Jessaei, musicis modulis & fere tribus paribus adaptati« of Daniel Lagkhner (Lackner) was printed by Paul Kauffmann in Nürnberg in 1606, where at the beginning of the 17th century all other collections of the same author were publis... see more
Danica Petrovic
Ukranian Melodies in the Serbian Monastery of Krka (Dalmatia)
Cvetko Budkovic
Because of the lack of able instrumentalists as well as singers, needed by the Bishop's Chapel, the Provincial Theatre and the Philharmonic Society, at the end of the loth and even more at the beginning of the 19th century, the need to organize a music sc... see more
Wolfgang Boetticher
Neue Schumanniana
Bojan Bujic
The paper deals with the First String Quartet by the Yugoslav composer Josip Slavenski (1896–1955). When the piece was performed at the Donaueschingen Festival in 1924 it was enthusiastically received by the critics and brought international recognition t... see more
Ivan Klemencic
The question of the identity of the Slovene composer Marij Kogoj has remained open for a long time. Only recently P. Merku's research revealed that the composer, hitherto known as Marij Kogoj, born April 27, 1895, died as an eight-month old baby – whereas... see more
Katarina Bedina
Franc Šturm's promising artistic career was already at its beginning abruptly cut short by the World War II. Today he is more generally known only by the opinion that he was to have been the artistic and compositional prolongation of the pursuits of Slavk... see more
Andrej Rijavec
The article deals with the compositional output of Darijan Božic (1933), proceeding from the composer's »third stream« beginnings and from his theoretical as well as practical solutions as regards the problem of 20th century harmony as one of the most imp... see more
Miho Demovic
Music in Dubrovnik – From the Latter of the 16th to the Beginning of the 17th Century – With Special Ragard to Lambert and Henrik Courtoys