11 articles in this issue
Metoda Kokole
Musicalische Ehrenfreudt is the earliest and the least known collection of the Carinthian composer Isaac Posch (?-1622/23). The print came out in Regensburg in 1618. It contains 49 four-part compositions written in the tradition of contemporary South Germ... see more
Aleš Nagode
Among the composers whose work carried out at the turn of the 18th to the 19th century in Slovenia fostered the advance of musical Classicism in Slovene church music it is Venceslav Wratny who is in virtue of recent research increasingly coming to the for... see more
Nataša Cigoj Krstulovic
The Slovene musical activity during the years 1848 and 1872, while belonging to the extreme fringes of the Central European musical history of the 19th century, nevertheless shows a quite specific kind of transition into the early »Romanticism«. Its marke... see more
Simona Molicnik Šivic
Anton Lajovic ranks among those Slovene musical artists who at the turn of the century - when in musical art, in the broader world and in this country new trends were comping up - felt genuinely responsible for the music of their time and of the time ahea... see more
Matjaž Barbo
The development of the 'fifties' and 'sixties' in Slovene music was marked by the period of a political »thaw«, broadening of concert life, reviving of radio programmes, coming up of tape recordings and of gramophone records, emergence of new, significant... see more
Leon Stefanija
The analytic method of Allen Forte, one of the most influential theoreticians of the musical sets theory presents as a most widely spread analytic tool for dealing with atonal music not written in the dodecaphonic technique a significant topic for conside... see more
Igor Cvetko
When considering his topic the author limited himself to so the sources he believes to be "undisputable": to Štrekelj's collection of Slovene National Songs (in four Volumes) and to the sound recordings themselves, with both examples of recorded songs and... see more
Edo Škulj
Dragotin Cvetko, when writing the introduction to his book 'Fragment glasbene moderne' (1988) (A Fragment of Musical Modernism), subtitled 'Iz pisem Slavku Ostercu' (From Letters to Slavko Osterc), wrote down that research was in progress to retrieve lett... see more
Melita Milin
The Interplay of Traditional and New Elements in Post-War Serbian Music
Six Masses by Venceslav Wratny
Isaac Posch and His Instrumental Works, with Special Reference to the Variation Suites for Instrumental Ensemble in the Collection Musicalische Ehrenfreudt (1618)