11 articles in this issue
Oswald Panagl
Firstly, the paper addresses a number of linguistic interpretations of the term “reference” in the fields of semantics and philosophy of language. It is differentiated between extension and intension as well as referred to the meaning of the concept in th... see more
Thomas Hochradner
Research in reception of music usually tends to case studies or tabular forms, whereas studies in interpretation of music often are questioned with regard to the imponderabilities of technical conditions and optional revisions of sound recordings. As a la... see more
Nils Grosch
The middle age and early modern Volkslieder, published by Erk and Böhme in „Deutscher Liederhort“ etc., mark the process of an invented tradition. Though pretending to be founded on the basis of scholarly and philological accurateness, these editions incl... see more
Matjaž Barbo
Early Slovenian symphonic music, written by Dusík and Wratny serves as an example how music enters into a complex network of aesthetic referential systems. This confirms that the true referential framework of Slovenian music is not defined by narrow ethni... see more
Gregor Unterkofler
At the beginning of the 19th century young German intellectuals turn their attention to a seemingly outdated and oldfashioned instrument and start embracing it wholeheartedly. The outcome is an exciting and unusual liasion between a reverend old liturgica... see more
Aleš Nagode
Observation of the late 19th and early 20th century religious music in Slovenia was so far incorporated into different historiographical “grand narratives”. These attempts have in general led to selective use and distortion of information about historical... see more
Jernej Weiss
The contribution presents the most important milestones in Ljubljana’s concert and opera stagings of Richard Wagner’s works. In connection with the programme orientations of the leading music institutions in the 19th and 20th centuries in Slovenia and the... see more
Lubomír Spurný
Discussion is devoted to the role of Vítezslav Novák in the frame of Czech music around 1900. Vítezslav Novák (1870–1949) is one of the composers where the characteristic contrasts can be found in many respects that can be described with functions central... see more
Gregor Pompe
Petar Bergamo’s Second Symphony (1967) must be analyzed in the context of Zagreb Biennale and therefore in the context of modernist domination which Bergamo understood as cul-de-sac. His Second Symphony is conceived as set of quotations and allusions that... see more
Vesna Venišnik
The article will outline the characteristics of Slovene symphonic poems through the programmes on which the composers referenced their symphonic poems and with musical analyses of selected works of the genre.
Carolin Stahrenberg
Cabaret and the popular culture of the Weimar Republic are evidence of a thoroughly modern attitude towards kitsch, which outshines pejorative essays about the degenerating impact of kitsch. This is shown by the example of Friedrich Hollaenders “Kitsch-Ta... see more