13 articles in this issue
Uredniški odbor
Introductory Note
Marija Bergamo
A reconsideration of the fundamental issues in musicological scholarship currently proceeds from the awareness that as a science about art musicology, despite all the refinement of its instruments and methodology, today has no longer any connection with a... see more
Lidija Podlesnik
The collection Neue liebliche Paduanen, Intraden und Galliarden auff allerley Instrumenten zu gebrauchen mit fünff Stimmen componirt, by Johannes Thesselius is noted in musical history as the earliest work shaped in the sense of variation suites for instr... see more
Radovan Škrjanc
The study seeks to determine the possible time of the origin of the preserved manuscripts of compositions by Jakob Francišek Zupan by means of the paperological method and to identify the various handwritings (their number being seven) found in them. In c... see more
Albrecht Riethmüller
Heine, Schubert und Wolf: "Ich stand in dunkeln Träumen"
Aleš Nagode
In the second half of the 19th century it was also in Slovene church music that the influence of the ideas of the Cecilian movement started to be felt. These were based on two demands: that church music be subordinated to the text and to the lithurgical c... see more
Urša Šivic
Pavel Šivic emerged as a publicist in a period when in Slovenia all forms of musical life were already in progress. Still, in addition to his activity as a composer, a musical teacher, and a concert performer, he was one of the few who in the inter-war an... see more
Leon Stefanija
The article deals with the concept of description of the compositional structure. It proceeds from several musical-analytic procedures or methods. In the first place, it concerns thequestions of "contextualization" of the description of music, in which so... see more
Matjaž Barbo
Pro musica viva A Contribution to Slovenian Modern Trends since World War II
Cecilianism in Slovenia as a Musical, Cultural, and Social Issue
Metoda Kokole
Isaac Posch and his Instrumental Works; with special reference to variation suites for instrumental set-up of the collection Musicalische Ehrenfreudt (1618)
Nataša Cigoj Krstulovic
Musical Activity of Reading Societies in Slovenia until the Founding of the Musical Centre (1848 - 1872)
Musico-Analytic Points of Departure: Between Idea and Structure