9 articles in this issue
Nataša Cigoj Krstulovic
The paper discusses the specifics of the “salon music” phenomenon, exemplified in bourgeois musical practice in Carniola during and after the “period of virtuosity”. It shows the influences of the fashionable salon repertoire in its performance and recept... see more
Sara Železnik
Soloist concerts were extremely common at the Philharmonic Society up to the year 1872. The share of local musicians was much larger in relation to foreign soloists. Most common were singers, followed by pianists and violinists. The names of soloists were... see more
Helmut Loos
After their revolutionary development in England since early 17th century, concert halls, the necessary condition for concert organs, were first built on the continent in Hamburg (1761) and Leipzig (1781). Other examples can be found in the musical instru... see more
Stefan Schmidl
Quite contrary to artist’s biographies, music written under the influence of the Great War has been hardly ever considered as an explanatory source. To demonstrate its actual significance three aspects of World War One-music are to be illumined: musical m... see more
Fatima Hadžic
Regardless of the unfavorable political and economic context of Bosnia and Herzegovina as a part of the Kingdom of Yugoslavia (1919–1941), musical life in Sarajevo, being the administrative centre of Bosnia and Herzegovina, was institutionally achieved in... see more
Michael Malkiewicz
Almost all holders of a musicology chair at the universities and academies in Germany could return to their positions after 1945. The reasons why someone could keep his chair in musicology, why some continued their work after a short dismissal by the mili... see more
Lada Durakovic
The instrumentalization of the musical life by ideology in the period between 1926, i. e. from the introduction of fascist dictatorship, up to 1952, when the period of socialist realism “officially” ended, has left deep traces in the musical life of Pula.... see more
Christopher Norris
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Tjaša Ribizel