9 articles in this issue
Danica Petrovic
This article is a continuation of the text printed in Arti Musices No. 4, 1973, under the same title. This chapter attempts to discuss information about the folk music and different customs in Balkan countries from the 15th to the 18th century. Important ... see more
Koraljka Kos
Glede na to, da je struktura renesancnega madrigala v veliki meri dolocena z odnosom med tekstom in glasbo, omogoca primerjava dveh ali vec del na isti tekst dragoceno možnost odkrivanja osebnega izraza posameznih skladateljev. V pricujocem prispevk... see more
Jirí Vysloužil
Antoine Reicha, ami de jeunesse de L. van Beethoven
Arnold Feil
Zur Genesis der Gattung Lied wie sie Franz Schubert definiert hat
Jože Sivec
Although it is unknown when Pran Gerbic began to plot his opera Midsummer Night (Kres), it must have been at the latest in 1893, the year from which the first data in this connection have survived. As one can learn from the score, it was finished on April... see more
Borut Loparnik
Marij Kogoj's Andante for violin and piano is not only his first and at the same time his best work of its kind, but it is also the first musically mature violin composition in Slovene musical literature. Written around 1924, it was for the first time per... see more
Dragotin Cvetko
The Slovene composer Slavko Osterc (1895–1941), the central figure of modern Slovene music and prominent in the European musical trends of the thirties, dedicated part of his activities to the International Society for Contemporary Music. He was active at... see more
Katarina Bedina
Relatively numerous studies of Slavko Osterc's personality have, in conjunction with analyses of his works, considerably elucidated this most influential and penetrating modernist in Slovene music. Less light, however has been shed on Osterc's pure musica... see more
Andrej Rijavec
The article discusses the problem of form in the work of the contemporary Slovene composer Ivo Petric. After a brief presentation of the latest divergent principles as regards this theoretical question, specifically, what form is, what it can be, or rathe... see more