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ISSN: 0580-373X    frecuency : 4   format : Electrónica

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Volume 53 Number 1 Year 2017

21 articles in this issue 

Metoda Kokole

Zaslužni profesor muzikologije dr. Jože Sivec je navzven dajal vtis raztresenega in od vsakdanjega življenja znacilno odmaknjenega univerzitetnega profesorja, hkrati pa je bil o vsem, kar se je dogajalo v svetu in muzikološki stroki, še kako na tekocem in... see more

Pags. 5 - 7  

Katarina Šter

The Office of Mary Magdalene is one of the rare offices of the Carthusian liturgy that was changed after it had been established as a solemn feast with twelve lessons. In Matins, several chants changed their position or were even replaced by new ones. Thi... see more

Pags. 9 - 53  

Klemen Grabnar

The manuscript volumes from Gornji Grad – SI-Lnr, Ms 207, Ms 232, Ms 284 in Ms 285 – contain a repertory that is characteristic of Inner-Austrian musical sources. The paper types employed as well evidences the Inner-Austrian provenance. Two small sections... see more

Pags. 55 - 79  

Metoda Kokole

Francesco Antonio Bonporti, an Italian priest and aristocratic music amateur composer, dedicated in 1703 the second edition of his Sonate da camera a tre, opus 2 to Prince-Bishop of Ljubljana, Ferdinand Count Kuenburg (holding this post between 1701 and 1... see more

Pags. 81 - 102  

Matjaž Barbo

The paper focuses on Josip Cerin’s musicological studies with Guido Adler in Vienna and analyses the source and meaning of his doctoral thesis on Slovenian Protestant music. In addition, it presents Cerin’s efforts to promote symphonic music and his edito... see more

Pags. 103 - 119  

Karmen Salmic Kovacic

The paper explores one of the key findings of the until recently prevailing view on music history and modernism in the music of the 20th century as being a national and ideological construct, conceived by the supporters of the self-proclaimed mainstream o... see more

Pags. 121 - 141  

Urška Rihtaršic

There are three ideal types (Max Weber) of a western classical music performer. These types describe the performer’s relationship to composer, musical work and audience. The romantic virtuoso uses music as a means to impress audiences with his personality... see more

Pags. 143 - 164  

Branka Rotar Pance, Ema Iglicar

Creativity is the focus of research in various areas. The present paper focuses on creativity in music and the role of the teacher in stimulating and developing it in an individual’s musical development. It highlights the importance of evaluating musical ... see more

Pags. 165 - 183  

Boštjan Udovic

The article analyses the role and position of music at ceremonial sessions of the National Assembly of the Republic of Slovenia. It outlines three main findings: (a) ceremonial sessions of the National Assembly are largely accompanied by a musical program... see more

Pags. 185 - 202  

Ana Petrov

This article deals with the post-Yugoslav popular music and Yugonostalgia. I elaborate on the issue, showing how in the complex post-Yugoslav space a new trend in the musical market appeared – a trend of using the culture of remembrance of Yugoslavia in o... see more

Pags. 203 - 215  

Anita Prelovšek

In Ljubljana and in its surroundings the music at a traditional funeral still consists usually of a vocal ensemble or a trumpet, but in 2016 this has increasingly tended to be replaced by a girl’s vocal and instrumental ensemble. The choice of music depen... see more

Pags. 217 - 241  

Larisa Vrhunc

Leon Stefanija. Sisyphean Beauty: A Portrait of Uroš Rojko. [Sizifovsko lépo: Portret Uroša Rojka.] (Ljubljana: Znanstvena založba Filozofske fakultete (Razprave FF), 2016. 201 pp. 19,90 €. ISBN: 9789612378653.)

Pags. 243 - 248  

Leon Stefanija

David Beard and Kenneth Gloag. Musicology: The Key Concepts (second edition). (London and New York: Routledge, 2016. 360 pp. Hardback £80. Paperback and E-book £22.99. ISBN-13: 978-0415679671.)

Pags. 249 - 253  

Ivan Moody

Schnittke Studies. Edited by Gavin Dixon. (Routledge: London and New York, 2017. xxvii+273 pp. £95. ISBN: 9781472471055.)

Pags. 254 - 259  

Klavdija Feguš

The history of the flute dates back about 43.000 to 82.000 years, as can be deduced from the finding of the first flute at the »Divje Babe« archaeological site near Cerkno in Slovenia in 1995. It can be considered as the first Neanderthal flute and the ol... see more

Pags. 261 - 262  

Dejan Juravic

Vilko Ukmar is often defined as a Slovenian composer of the 20th century, although his work was set broader. During his long life, Ukmar focused on various fields, proving to be an expert on aesthetic-philosophical issues, a lucid writer about art, specif... see more

Pags. 263 - 266  

Nina Gala Kušej

“Protocol” by definition means a set of formal and social rules of interaction between official state representatives. “Protocol music” is consequently a musical means of achieving these rules.

Pags. 267 - 270  

Karmen Salmic Kovacic

Alongside a thorough overview of stylistic trends in music of the first half of the last century, and its particular terminology, the first part of dissertation explores the most recent concepts of different music theorists and musicologists on hitherto u... see more

Pags. 271 - 276  

Nejc Sukljan

At the beginning of the treatise Istitutioni harmoniche (Harmonic Institutions), Gioseffo Zarlino, who is considered by many as the central and the most influential Italian music theorist of the 16th century, presented music as a mathematical science.

Pags. 277 - 282  

Vesna Venišnik

The extant manuscripts and prints of early symphonic music preserved in various archives throughout Slovenia and in the border town of Gorizia confirm that during the eighteenth and early nineteenth century this territory followed broader European symphon... see more

Pags. 283 - 286  

Vojko Veršnik

The main purpose of this doctoral dissertation was to research and present musical life of pensioners in Slovenian Carinthia and to suggest new strategies and improvements of the analyzed state, based on the fundamentals of applied ethnomusicology. The di... see more

Pags. 287 - 292