9 articles in this issue
Reinhard Strohm
This essay addresses the question what music historiography may learn from the postmodern discourse as it is developing around us. The general historiographic implications of the concept 'postmodernism', as an improvement of and progress over 'modernism '... see more
Gianmario Merizzi
Le fonti poetiche delle mascherate di Gabriello Puliti
Jurij Snoj
Bach's music, whose characteristics were well recognized in his own time as can be seen from Scheibe's writings, became regarded as the work of an outstanding composer only a century after his death; yet in the process of his becoming a musical oracle of ... see more
Radovan Škrjanc
The article includes the first part of the author's reflections on questions which are concerned with the stylistic classification of compositions, and as a starting point in dealing with this question, it summarizes some of the more significant doubts as... see more
Niall O'Loughlin
The overall meaning of the Seventh Symphony of Gustav Mahler has consistently puzzled analysts and musicologists. While some parts have been understood and praised and others heavily criticised, much continues to hide its significance, a fact that hinders... see more
Aleš Nagode
The aesthetic principles of Stanko Premrl (1880–1965), one of the central figures of Slovenian church music in the 20th century, were firmly rooted in the Cecilian tradition. This viewpoint remained unaltered that church music must firstly be subordinated... see more
Dalibor Davidovic
This paper presents a kind of quasi-phenomenology of domestic musicology. In this case the notion domestic musicology stands for a particular kind of musicology that has its own presuppositions, preferences, procedures and results. Domestic musicology, fo... see more
Leon Stefanija
An Understanding of the »Old« and the »New« in Contemporary Slovene Music
A Question of Style in the Compositions of Jakob Francišek Zupan