11 articles in this issue
Jože Sivec
From the compositional work of Daniel Lagkhner (Lackner), born in Maribor (Marburg) in Styria in the latter half of the 16th century and already before 1600 active as a musician with baron Losenstein at Loosdorf in Lower Austria, only two complete collect... see more
Bojan Bujic
An Early Croat Translation of Rinuccini's »Euridice«<
Jan Racek
Študija obsega dva dela. V prvem obravnava avtor splošna nacela dinamicne glasbene periodizacije. Glavni metodološki kriterij zgodovinsko in stilno utemeljene periodizacije so zanj skupni stilni principi glasbenih struktur, njihova zakonita logika in rite... see more
Manica Špendal
Lieder represent the most important creative field of Kamilo Mašek. They reflect the composer's development from classicism to romanticism. Published in the collection Wreath of Slovene Songs of Doctor Francè Prešern in vol. V and VI of »Slovenska gerilca... see more
Pavle Merkù
On the basis of available material the author tries to establish the precise identity of the Slovene composer Marij Kogoj. Following this aim, he makes use of the documentation to be found in the parish archives of St. Anthony the Miracle-Worker in Triest... see more
Ivan Klemencic
Although an advocate of pure instrumental music, Kogoj asserted himself predominantly in vocal compositions. Apart from all his attention to piano music and to that for violin, in the instrumental field Kogoj wrote only one work for orchestra, the suite »... see more
Monika Kartin
The article deals with the Fourth Symphony of Lucijan Marija Škerjanc, composed in 1942. According to its harmonic structure it belongs to the late-romantic style. Chords on tones foreign to the tonality, altered tones and chords give the impression of im... see more
Andrej Rijavec
Klangliche Realisierungen im Werk von Uroš Krek
Musical Performances on the Stage of the Maribor Theatre from 1785 to 1861
The Structure of Marij Kogoj's Piano Works
Roksanda Pejovic
Musical Instruments on Mediaeval Monuments in Serbia and Macedonia