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20  Articles
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Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more

Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more



http://dx.doi.org/10.5007/1980-4237.2014n15p391A tradução de escritos humanistas de música é uma tarefa complexa. Conhecer com profundidade o assunto tratado, os idiomas relacionados à obra e seu contexto histórico são apenas pontos de partida para o efic... see more

This paper deals with the tuning question as it is discussed in Gioseffo Zarlino’s principal musical-theoretical treatise, Istitutioni harmoniche (1558). First, Zarlino’s tuning system in vocal music (the syntonic diatonic) is presented; then, its shortco... see more

North German baroque music for keyboard instruments raises numerous questions, especially regarding disharmony between compositions and organs in that period. Lyrics criticaly present different research methods and their results.

Studying the haptic feedback of various instruments within a historical keyboard instrument landscape raises questions about why C. P. E. Bach, among others, encouraged practicing musicians to engage with the phenomenology of multiple keyboard instruments... see more

Baroque North German “free keyboard music pedaliter” does not necessarily represent exclusive organ music. Structural differences between choral repertoire and pedaliter free works show them as two separate genres, choral works being genuine organ music, ... see more

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