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15.892  Articles
1 of 1.590 pages  |  10  records  |  more records»
Baroque North German “free keyboard music pedaliter” does not necessarily represent exclusive organ music. Structural differences between choral repertoire and pedaliter free works show them as two separate genres, choral works being genuine organ music, ... see more

Baroque North German “free keyboard music pedaliter” does not necessarily represent exclusive organ music. Structural differences between choral repertoire and pedaliter free works show them as two separate genres, choral works being genuine organ music, ... see more

The article “Interconnectedness of The Philosophical and Aesthetical Views and Principles of Polyphonic Thinking in The Time of Baroque” is focused on the combinatorial method as the key compositional idea of polyphonic music of J. S. Bach; it emphasizes ... see more

The article “Interconnectedness of The Philosophical and Aesthetical Views and Principles of Polyphonic Thinking in The Time of Baroque” is focused on the combinatorial method as the key compositional idea of polyphonic music of J. S. Bach; it emphasizes ... see more

The article pays homage to the leading authority of 20th century Hungarian music aesthetics, József Ujfalussy, by connecting his heritage to more recent research on the problems of musical time and notably to the study pursued by Raymond Monelle. Rather t... see more

The present paper serves a theoretical as well as a musicological purpose in addressing metrical dissonances in the multifaceted act of Baroque dance music. In identifying the centrality of the minuet in eighteenth-century repertoire as a capital example ... see more

The station of the cross is an event of the Passion story of Jesus Christ carrying the cross from the Pilate’s palace to the hill of Golgotha. On that journey, Jesus endured torture and humiliation, both from Roman soldiers and Jews. Based on this story, ... see more

The present paper serves a theoretical as well as a musicological purpose in addressing metrical dissonances in the multifaceted act of Baroque dance music. In identifying the centrality of the minuet in eighteenth-century repertoire as a capital example ... see more

The article presents the reception of the Orpheus and Eurydice myth in Spanish Baroque drama, particularly in the sacramental play (auto sacramental) by Calderón de la Barca. The Orpheus and Eurydice story, one of the most resonant myths in the world’s li... see more

1 of 1.590 pages  |  10  records  |  more records»