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362  Articles
1 of 37 pages  |  10  records  |  more records»
This article explores the questions of how Buxtehude might have used a pedal clavichord for the purposes of teaching, performing, and composing, with special reference to his pedaliter praeludia.

This article explores the questions of how Buxtehude might have used a pedal clavichord for the purposes of teaching, performing, and composing, with special reference to his pedaliter praeludia.

Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more

Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more

Baroque North German “free keyboard music pedaliter” does not necessarily represent exclusive organ music. Structural differences between choral repertoire and pedaliter free works show them as two separate genres, choral works being genuine organ music, ... see more

Baroque North German “free keyboard music pedaliter” does not necessarily represent exclusive organ music. Structural differences between choral repertoire and pedaliter free works show them as two separate genres, choral works being genuine organ music, ... see more

North German baroque music for keyboard instruments raises numerous questions, especially regarding disharmony between compositions and organs in that period. Lyrics criticaly present different research methods and their results.

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