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19  Articles
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This article explores the questions of how Buxtehude might have used a pedal clavichord for the purposes of teaching, performing, and composing, with special reference to his pedaliter praeludia.

This article explores the questions of how Buxtehude might have used a pedal clavichord for the purposes of teaching, performing, and composing, with special reference to his pedaliter praeludia.

Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more

Artiklen giver en oversigt over kilder til belysning af clavichord-spil og clavichordmusik i Danmark i det 18. århundrede med udgangspunkt i Det Kongelige Biblioteks samlinger. Efter en oversigt over udbredelsen af instrumentet i Danmark følger en annoter... see more

Clavichords, harpsichords and fortepianos with an organ like pedal were very common instruments from the end of the 17th to the mid of the 19th century. They served not only for organists to prepare for their job, but also for other people – including eve... see more



North German baroque music for keyboard instruments raises numerous questions, especially regarding disharmony between compositions and organs in that period. Lyrics criticaly present different research methods and their results.

Studying the haptic feedback of various instruments within a historical keyboard instrument landscape raises questions about why C. P. E. Bach, among others, encouraged practicing musicians to engage with the phenomenology of multiple keyboard instruments... see more

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