15 articles in this issue
Complete Issue of the special issue n. 7/2018, Visualizing Past in a Foreign Country: Schiavoni / Illyrian Confraternities and Colleges in Early Modern Italy in comparative perspective
Table of content / Indice
Jasenka Gudelj
Preface to the Special Issue n. 7/2018: Visualizing Past in a Foreign Country: Schiavoni/Illyrian Confraternities and Colleges in Early Modern Italy in comparative perspective
Ana Marinkovic
The intensified military campaigns against the Ottomans in the second half of the fifteenth century palpably influenced the cult of saints venerated in Scuola di S. Giorgio degli Schiavoni, both by assimilating new saints, as well as strenghtening the exi... see more
Tanja Trška
The decoration of the sala superiore of the Scuola dei SS. Giorgio e Trifone, executed throughout the final decades of the 16th and the first half of the 17th century, coincided with a period of economic prosperity of the Dalmatian confraternity. The deco... see more
Anita Ruso
The article examines the artworks and architecture of the Ragusan chapel in Dominican church in Genua, dedicated to the Virgin Mary and Saint Blaise, commissioned and maintained by Ragusan merchants and consuls in the Ligurian port. The analysis is based ... see more
Giuseppe Bonaccorso
Nella letteratura diaristica romana, edita tra il Quattrocento e la fine del Settecento, viene spesso usato il termine “veneziano” per identificare i cittadini della Serenissima residenti nell’Urbe, provenienti da qualunque città o territorio soggetto all... see more
Laris Boric
Paper presents a number of archival data related to grotesque painter and stucco master Ivan Gapic, known in late Roman Cinquecento as Giovanni da Cherso or Giovanni Schiavone. His career has been closely related to the circle of Taddeo and Federico Zucca... see more
Anatole Upart
In 1639, Pope Urban VIII entrusted the church of Santi Sergio e Bacco in Rome to the Byzantine-Rite Basilian monks from regions that now form part of Belarus, Lithuania, and Ukraine. The essay briefly outlines how this national church differed from others... see more
Francesca Coltrinari
The paper starts giving an overview of the two years of research on the artistic production connected to the Schiavoni confraternities in Marche region. Unlike the Albanian communities, identifiable for their choice of Saint Venus as their patron saint, t... see more
Giuseppe Capriotti
The aim of this paper is to analyze the phenomenon related to the migration of the cult as well as the iconography of St Blaise towards the Italian Adriatic coast, due to individuals or groups of people who moved from the Dubrovnik Republic, where the sai... see more
Daniel Premerl
The article approaches the iconography of two etchings with Croatian subject matter made by the Bolognese etcher Giuseppe Maria Mitelli in 1684. In the focus is the etching Great Bravery of Croatian soldier (Gran prodezza di soldato croatto). The author c... see more
Danko Šourek
In 1738 the Illyrian-hungarian College of Bologna published a booklet with Italian verses cintaining episodes of life of the holy Hungarian king Ladislas. It was, in a way, a product of cultural collaboration presented by a College alumnus Baltazar Adam K... see more
Ines Ivic
The aim of this paper is to provide the general overview of the development of the cult of Saint Jerome in the Eastern Adriatic Coast in the Late Middle Ages. While discussing the cult as the reflection of the growing cult in the Apennine peninsula, I wil... see more
Neven Jovanovic
The art history term of “Schiavoni” - used for artists born in Croatia, or Dalmatia, and active abroad, mostly in Italy - is completely absent from the Croatian literary history. No such history will, however, dare to omit the category of “Croatian author... see more