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ISSN: 1559-5749    frecuency : 4   format : Electrónica

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Volume 13 Number 3-4 Year 2018

9 articles in this issue 

Wilfried Gruhn,Reet Ristmägi,Peter Schneider,Arun D'Souza,Kristi Kiilu

Absolute pitch (AP) is the ability to identify or produce a given pitch without a reference. This study examines the stability of pitch labeling accuracy in a broad sample of AP possessors when natural complex tones are compared to modified sound structur... see more

Pags. 110 - 123  

Kathrin Bettina Schlemmer

This paper is a brief commentary on the paper "How stable is pitch labeling accuracy in absolute pitch possessors" by W. Gruhn, R. Ristmägi, P. Schneider, A. d'Souza, and K. Kiilu. The original paper presents evidence for the influence of timbre on the pi... see more

Pags. 124 - 127  

Kelly Jakubowski

In this commentary, I discuss the results and implications of "How stable is pitch labeling accuracy in absolute pitch possessors?" by Gruhn, Ristmägi, Schneider, D'Souza, and Kiilu (2018). Their work provides some new insights on the accuracy of single t... see more

Pags. 128 - 131  

Maximilian Kock,Christoph Louven

The art of sound design for a moving picture rests basically on the work experience of pragmatists. This study tries to establish some guidelines on sound design: In an experiment 240 participants gave feedback about their emotions while watching two vide... see more

Pags. 132 - 148  

Siu-Lan Tan

Kock and Louven (in this issue) examined the effects of music, sound effects, full sound design (music and sound effects) and no sound on self-reported measures of immersion and suspense in real time, as viewers watched very brief original films. This com... see more

Pags. 149 - 154  

Ann-Kristin Herget

This commentary addresses the paper by Kock and Louven about the power of sound design in a moving picture. Some further ideas regarding the theoretical context with suggestions on future methodological considerations are given. Special emphasis on the re... see more

Pags. 155 - 157  

Niels Chr. Hansen

This commentary discusses Sun and Cuthbert's (2018) exploratory analysis of emotional word painting in a corpus of English-language popular and folk songs. The authors are complimented for their application of computational tools to an impressively large ... see more

Pags. 158 - 163