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ISSN: 1559-5749    frecuency : 4   format : Electrónica

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Volume 10 Number 3 Year 2015

9 articles in this issue 

Merwin Olthof,Berit Janssen,Henkjan Honing

Absolute Pitch (AP) is the ability to identify or produce isolated tones in the absence of contextual cues or reference pitches. While AP is thought to differ from other human abilities in its bimodal distribution (Takeuchi & Hulse, 1993) – either you hav... see more

Pags. 161 - 174  

Andrea Halpern

The parent article looks at pitch stability in an archive of folksongs recorded over several decades. Some evidence for pitch stability was found. Here, I consider some additional aspects of the archive that could be examined, offers some extensions to re... see more

Pags. 175 - 177  

Klaus Frieler

In this commentary, I would like to add a few of our own, still unpublished, empirical observations concerning the possible role of absolute pitch memory (APM) in the oral transmission of folksongs. This empirical data poses some questions on the likeliho... see more

Pags. 178 - 187  

Trevor de Clercq

This paper reports a corpus study of the 371 chorale harmonizations by J. S. Bach. Specifically, this study investigates what kinds of events are typical at phrase endings given various melodic conditions, i.e., how well melodic structure is a predictor o... see more

Pags. 188 - 206  

Matthew Woolhouse

This paper discusses de Clercq’s contribution to our understanding of the relationship between scale degree and cadence type within Bach chorales from the perspective of style and probability. De Clercq is applauded for the diligence of this research and ... see more

Pags. 207 - 214  

Hubert Léveillé Gauvin

The goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax.  More specifically, two studies based on the Billboard Da... see more

Pags. 215 - 238  

Trevor deClercq

This paper responds to the research presented in Gauvin’s paper on the evolution of harmonic syntax in popular music from the 1960s.  I begin by situating the findings from his second study (on flat-side harmonies) within the context of my corpus work wit... see more

Pags. 239 - 244  

Imre Lahdelma,Tuomas Eerola

Music is often associated with the emotions of nostalgia and longing. According to previous survey studies both nostalgia and longing are among the most commonly evoked emotions by music (Juslin, 2011). Despite nostalgia’s significance as a musical emotio... see more

Pags. 245 - 263