8 articles in this issue
Nicola Dibben,Renee Timmers
N/A
Ruth Grundy,Adam Ockelford
This study investigates expectations in music evoked during the course of hearing a piece for the first time, particularly those which stem from recently appearing groups of notes (Ockelford, 2006). A prodigious musical savant (Derek Paravicini) attempted... see more
Bénédicte Poulin-Charronnat
On the basis of the ‘zygonic’ theory (Ockelford, 2006), Grundy and Ockelford (2014) investigate musical expectations evoked during the course of hearing a piece for the first time in a prodigious musical savant (Derek Paravicini). Overall, the results pro... see more
Mitchell Ohriner
Studies of duration in music performance since the 1980s have focused on the role of duration in the communication of musical structure, namely grouping and metric structure. This article posits a broader view of duration in performance, namely that perfo... see more
Bruno Gingras
Ohriner (this volume) empirically investigated the ability of listeners to rhythmically entrain to performances of Chopin’s mazurkas and suggested that performers can manipulate listeners’ expectations and influence their perceived musical tension by usin... see more
Werner Goebl
This text comments on Ohriner’s (2014) paper and undertakes a brief quantitative re-analysis of Ohriner’s tapping data generously provided by the author. The aim here is to briefly test two hypotheses brought forward in the original paper in a quantitativ... see more
Daniel Shanahan,David Huron
ABSTRACT: Research in speech prosody and ethology suggests that pitch height indexes positive and negative social affects. For example, higher pitched voices are used to convey friendliness, whereas lower pitched voices are used to convey aggression (Boli... see more
Chloe Alaghband-Zadeh
Book Review