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9.367  Articles
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This paper discusses composer and performer collaboration, specifically in cases involving guitar repertoire by composers who do not play the instrument. The research was divided into two phases: an exploratory stage, which consisted in interviews with no... see more

This paper discusses composer and performer collaboration, specifically in cases involving guitar repertoire by composers who do not play the instrument. The research was divided into two phases: an exploratory stage, which consisted in interviews with no... see more

This paper discusses composer and performer collaboration, specifically in cases involving guitar repertoire by composers who do not play the instrument. The research was divided into two phases: an exploratory stage, which consisted in interviews with no... see more

The interview focuses on some aspects of the composer’s work with electronics. Palmer, described by the critics as «undoubtedly the most visionary composer of his generation» speaks about the composers and musical works that have had a major impact on him... see more

Ennio Stipcevic’s book Renaissance Music and Culture in Croatia is largely written for non-specialists, a general audience who are nonetheless interested in the musical culture of the Renaissance and the wider musical cultures connected to the Croatian la... see more

Ennio Stipcevic’s book Renaissance Music and Culture in Croatia is largely written for non-specialists, a general audience who are nonetheless interested in the musical culture of the Renaissance and the wider musical cultures connected to the Croatian la... see more

The unfolding of the concept of dramaturgy and the problematics of contemporary choreography are, today, a vast and diverse field of research, bearing numerous disclosures that lead to their reciprocal implication. Apart from that, dance and music share s... see more

There are three ideal types (Max Weber) of a western classical music performer. These types describe the performer’s relationship to composer, musical work and audience. The romantic virtuoso uses music as a means to impress audiences with his personality... see more

Free borrowing and use of transformed elements of the music of past periods when forming contemporary music enables musical art, while incorporating the new, to maintain the continuity of its development; otherwise music risks losing contact with the worl... see more

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