10 articles in this issue
Lance Putnam
S Phase is a computer-generated audiovisual composition that was led by a desire to create an abstract form that had a sense of living and breathing and to associate sound and graphics on a deep level. This article discusses the motivation for the work, d... see more
Dario Sanfilippo
The use of recursive time-variant networks for musical applications dates back to the 1960s with the seminal work of Gordon Mumma who implemented his own systems and circuits in the analogue domain. Practitioners like Nicolas Collins followed the same app... see more
Nicola Buso
The live coding practice entails many effects on musical activities for composers, performers and audience, in a hypothetical ‘theater of writing’. The new paradigm involves a new approach to the musical experience in its entirety, becoming not only a mus... see more
Maurilio Cacciatore
Lost in feedback is a work for electric vibraphone, percussions, stage performer and live electronics. The add of some captors under the keys of the vibraphone together with a series of non conventional techniques transform the sound in order to rela... see more
Andrea Cera
This article describes an ongoing process, started in 2014, which brings together scientific research, artistic investigation, sound design tools development, and cooperation between various entities, institutional and non-institutional: the Europea... see more
Marco Ligabue
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Roberto Doati
ANTIDINAMICA is the first number of “Architetture invisibili”, a series of compositions devoted to form and acoustic instrument hidings. The compositional process will be described in detail. It starts with a transformation of a recorded saxophone improvi... see more
Gema F.B. Martín
Social networks, date webs, multi-player online games and other technological resources enabling remote personal interactions have a rising social impact that is changing some paradigms of the human relationships. The rise of such impact is determining th... see more
Lara Morciano
In Estremo d’ombra, for five soloists and electronics (2015), an interactive system was developed in order to enable the synchronisation between the performers and the live electronics – consisting of real-time processing and synthesis – to be composed in... see more