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133.895  Articles
1 of 13.391 pages  |  10  records  |  more records»
The article defines the semantic relations inherent in the categories of “time” in the field of art, examines the phenomenon of time in music, based on the internal laws of creation and interpretation of the artistic image, as well as analyzes the tempora... see more

In the dialogue What Is Music? between Carl Dahlhaus and Hans Heinrich Eggebrecht, music is defined as a “mathematized emotion” or an “emotionalized ‘mathesis’”. As emphasized by Marija Bergamo, this is the way of underlining its equal and unavoidable con... see more

Augustine says that time evaporates between the reality of the present moment and the fathomless border between the past and the present, in fact the unfathomable "nothingness" that appears and vanishes simultaneously. The phenomenology of musical time wi... see more

In the dialogue What Is Music? between Carl Dahlhaus and Hans Heinrich Eggebrecht, music is defined as a “mathematized emotion” or an “emotionalized ‘mathesis’”. As emphasized by Marija Bergamo, this is the way of underlining its equal and unavoidable con... see more

Augustine says that time evaporates between the reality of the present moment and the fathomless border between the past and the present, in fact the unfathomable "nothingness" that appears and vanishes simultaneously. The phenomenology of musical time wi... see more

This study investigates expectations in music evoked during the course of hearing a piece for the first time, particularly those which stem from recently appearing groups of notes (Ockelford, 2006). A prodigious musical savant (Derek Paravicini) attempted... see more

The article pays homage to the leading authority of 20th century Hungarian music aesthetics, József Ujfalussy, by connecting his heritage to more recent research on the problems of musical time and notably to the study pursued by Raymond Monelle. Rather t... see more

1 of 13.391 pages  |  10  records  |  more records»