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Volume 9 Number 1 Year 2012

9 articles in this issue 

Lukasz Borowiec

A literary source text demands the translator’s approach for each process of translation. This approach involves a complex and multifaceted analysis of the source text. As Pinter’s novel The Dwarfs provides rich ground for such analysis, I present a selec... see more

Pags. 15 - 27  

Lilijana Burcar

In his dramatic sketch The New World Order Pinter exposes practices of psychological and physical abuse targeted at local people who resist neo-colonial advancements in territories directly occupied or indirectly controlled by Western hegemonic powers. Th... see more

Pags. 29 - 40  

Michael Devine

The theatrical oeuvre of Harold Pinter has its origins in the alternative theatre movement in Britain in the late 1950s. This paper will examine two later, well-known plays, The Caretaker and Betrayal, as case studies for an examination of how the alterna... see more

Pags. 41 - 49  

Andrew Goodspeed

The paper is an examination of Harold Pinter’s Nobel Prize lecture ‘Art, Truth & Politics’ from the political aspect. It argues that Pinter’s speech was widely misreported at the time as being most significant for its political attacks on President George... see more

Pags. 51 - 61  

Dilek Inan

In 1993, a decade of directly political plays was followed by Moonlight, which in the Guardian’s words would “come as a shock to those who have lately pigeonholed Harold Pinter as a writer of bruising polemic” (Billington 1993, 1). Although Moonlight made... see more

Pags. 63 - 75  

Renée von Paschen

Several of Harold Pinter’s works have been adapted as screenplays and filmed. This paper investigates director Robert Altman’s TV movie The Dumb Waiter in comparison with the German dubbed version, Der stumme Diener, as well as the reception of Pinter’s p... see more

Pags. 77 - 86  

Andrea Peghinelli

The Belarus Free Theatre was founded in 2005 by Belarusian playwright and journalist Nikolai Khalezin and theatre producer Natalia Koliada. It is a dissident company which opposes the totalitarian regime of Lukashenko; therefore, in Belarus it must work u... see more

Pags. 87 - 96  

Elizabeth Sakellaridou

Throughout his life Pinter always showed, both as artist and as social being, a profound respect for the rights of the individual and human dignity. His dramatic output as well as his overt political activity demonstrate his unbroken adherence to the ideo... see more

Pags. 97 - 105