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64.848  Articles
1 of 6.486 pages  |  10  records  |  more records»
Opera was the key genre of Savin’s composing work. In Poslednja straža (“The Last Watch”), Lepa Vida (“Fair Vida”), Gosposvetski sen (“Gospa Sveta’s Dream”) and Matija Gubec, he used the late-Romantic principles of building a music drama. Savin’s opus rep... see more

The paper deals with operatic production in Slovenia in the watershed period at the turn of the 19th century. It focuses on the work of F. B. Dusík; in particular, three of his key works, which, according to newly available facts, were written during his ... see more

The paper deals with operatic production in Slovenia in the watershed period at the turn of the 19th century. It focuses on the work of F. B. Dusík; in particular, three of his key works, which, according to newly available facts, were written during his ... see more

Opera was the key genre of Savin’s composing work. In Poslednja straža (“The Last Watch”), Lepa Vida (“Fair Vida”), Gosposvetski sen (“Gospa Sveta’s Dream”) and Matija Gubec, he used the late-Romantic principles of building a music drama. Savin’s opus rep... see more

The article tries to illuminate the effects of the newly new-constructed Provincial Theatre in Ljubljana between 1892 and 1914. This was the time, when the two directorates shared joint theatre premises: Slovene and German. The author draws attention to t... see more

As an Austro-Hungarian soldier, Risto Savin gradually achieved Slovene musical identity, first by working in a Germanic style for songs, piano and chamber music and afterwards by setting Slovene poetry by Anton Aškerc (1895) and writing his first short mu... see more

The opening of the new Regional Theatre at the beginning of the 1892/93 season, a hill decade after the devastating fire, was a turning point in the performing history of the Slovene musical theatre. The foundation stone for operatic performances of the S... see more

The article tries to illuminate the effects of the newly new-constructed Provincial Theatre in Ljubljana between 1892 and 1914. This was the time, when the two directorates shared joint theatre premises: Slovene and German. The author draws attention to t... see more

As an Austro-Hungarian soldier, Risto Savin gradually achieved Slovene musical identity, first by working in a Germanic style for songs, piano and chamber music and afterwards by setting Slovene poetry by Anton Aškerc (1895) and writing his first short mu... see more

1 of 6.486 pages  |  10  records  |  more records»