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226  Articles
1 of 24 pages  |  10  records  |  more records»
The theme of this article was inspired by a series of questions that arise to researchers when discussing compositions by musical modernist Slavko Osterc and his pupils from the first half of the 20th century, whose music was neither "tonal" nor extreme "... see more

The theme of this article was inspired by a series of questions that arise to researchers when discussing compositions by musical modernist Slavko Osterc and his pupils from the first half of the 20th century, whose music was neither "tonal" nor extreme "... see more

Composer Karol Pahor (1896–1974) stood out on several levels and is recognized as one of the most distinguished students of Slavko Osterc, his opus shows the stylistic diversity resulting from various factors. As a composer he deviates from the usual ster... see more

Primož Ramovš (1921–1999) wrote his piano Miniature (Miniatures) during the autumn of 1945. After finishing his studies with Slavko Osterc in Ljubljana (1941) and taking advanced courses with Alfredo Casella in Rome (1941–1943), these pieces were his seco... see more

The article discusses two of the three folders (Counterpoint and Fugue – I, Harmony – II, Composition – III) of the correspondence course – an unhabituated way of leaming one's trade as a composer in itself – that Karol Pahor took with Slovenia's leading ... see more

The paper is aimed at analysing the dilemmas of compositional technique and aesthetics in Slavko Osterc, the non-conformist avant-garde figure of Slovene inter-war music, who always kept his own conception of new music abreast, or else in the very heart, ... see more

Slavko Osterc – An Expressionist?

The centenary of the birth of Slavko Osterc, the pioneer of the Slovene musical 'moderna' (modern period), is an appropriate moment to try and as far as possible to present a bibliographic survey of everything that has so far been written about him. Such ... see more

The symphony in C major "Ideals" is the only composition of its kind by Slavko Osterc. The work originated at the beginning of the composer's creative path, in the year 1922. The compositional means are almost wholly those handed down by the musical idiom... see more

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