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ISSN: 2541-2426    frecuency : 4   format : Electrónica

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Volume 21 Number 2 Year 2021

15 articles in this issue 

Almighty Cortezo Tabuena, Glinore Santiago Morales, Mary Leigh Ann Corpuz Perez

The primary objective of this study is to review and characterize research-based music assessments that might be used to guide and assist teachers and students in transforming their attitudes and perceptions, ability to express their ideas and concepts du... see more

Pags. 192 - 203  

Andre Indrawan, Noer Iskandar Albarsani, Kustap Kustap, Suryati Suryati

This study examined the characteristics of Kunimatsu’s guitar arrangements in Astor Piazzolla’s Oblivion by comparing aspects of musical form, melody, and harmony. As with other arrangements’ performances, the primary motif of Astor Piazzola’sOblivion mel... see more

Pags. 204 - 220  

Muhammad Fazli Taib Bin Saearani, Abdul Hamid Chan, Nur Nabila Micheal Lung Abdullah

Dance pedagogy is a complex and dynamic field of competency that involves various skills and self-appearance. Therefore, dance instructors must widen the scope of their competency to strengthen and improve their level. This research aimed to identify the ... see more

Pags. 221 - 232  

Ni Made Ruastiti, Anak Agung Indrawan, I Ketut Sariada

This article aims to discuss the Renteng Dance in Saren Village, Nusa Penida, which is actually the forerunner of the Rejang Renteng Dance performance, which is now widely danced by mothers in the context of the dewa yadnya ceremony in Bali. Supposedly, a... see more

Pags. 232 - 245  

Huidrom Rakesh Singh, Laimayum Subhadra Devi

This paper studies the history of dance education in Manipur and social value, psychomotor domain, and creative development of students at the school curriculum in Manipur (India). Dance education plays an essential role in molding a person into a perfect... see more

Pags. 246 - 255  

I Wayan Dana, Ni Kadek Juni Artini

The Baris Memedi dance depicts a group of ‘ghosts’ who live in haunted places such as graves, cliffs, and in large trees. It is danced by 7-15 male dancers. This dance is performed in Ngaben (cremation) ceremony called Pitra Yadnya, using the Baleganjur g... see more

Pags. 256 - 265  

Casta Casta, Tjetjep Rohendi Rohidi, Triyanto Triyanto, Abdul Karim

This study aims to find the repertoire of aesthetic taste as a creative act and its relation to symbolic power in the arena of Indonesian cultural production of glass painting. The study used a qualitative approach with a phenomenological design. Data col... see more

Pags. 266 - 277  

Fajry Sub'haan Syah Sinaga, Syahrul Syah Sinaga

This study aims to review the sustainability of Trunthung Music that shapes an ecosystem within the context of eco-culture. The study belongs to the nature of qualitative research with an interdisciplinary approach and several ecological concepts that ref... see more

Pags. 278 - 289  

Fu'adi Fu'adi, Putu Sudira, Kun Setyaning Astuti

Idris Sardi is known as a music maestro in Indonesia. This study aims to reveal the influence of Idris Sardi on the development of music and its implications in music education. This study uses a qualitative method with a narrative approach. The data were... see more

Pags. 290 - 302  

Riyan Hidayatullah, Muhammad Jazuli, Muhammad Ibnan Syarif

This study aims to reveal the meaning of music notation writing of gitar tunggal Lampung Pesisir written by Imam Rozali. Imam is a gitar tunggal player who wrote his technique and playing style in notation symbols. This article uses a case study research ... see more

Pags. 303 - 317  

Mariko Sasaki, Juju Masunah

This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in game... see more

Pags. 318 - 329  

Elindra Yetti, Erie Siti Syarah

Braindance activities based on Minang dance basic movements are moving activities carried out by children aged 5-6 years at an early childhood education institution in Bukittinggi City since 2019 when the trial results of the development of braindance bas... see more

Pags. 330 - 339  

Indrayuda Indrayuda, Mohd Effindi Samsuddin

This article reveals the changes in form and style of the Randai performance performed by the Minangkabau’s diaspora in Malaysia. The novelty of this research is the study of changes in forms and styles in Randai carried out by the Malaysian Minangkabau d... see more

Pags. 340 - 355  

Abdul Rachman, Pramot Teangtrong, Phakamas Jirajarupat, Indrawan Nur Cahyono

Gambang Semarang is one of Indonesia’s traditional music which has an instrument made of wood, namely gambang (xylophone). Thai Pi Phat Ensemble has a Gambang-like instrument called Ranat Ek. In the presentation, each of these instruments certainly has a ... see more

Pags. 356 - 368  

Wahyu Lestari, Veronica Eny Iryanti, Syukur Samuel Barus

The image of women that is actualized through the construction of gender roles, positions, and adaptation processes in artistic expression through Sintren and Kuda Kepang performances is very different. In this regard, the research aims to: (1) explain th... see more

Pags. 369 - 376