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588  Articles
1 of 60 pages  |  10  records  |  more records»
AbstractThe pendulum between subjectivity and objectivity in the theology of Theuns Dreyer – a dialogue This article reflects a conversation between Andries G. van Aarde and Theuns F.J. Dreyer. Dreyer was professor of Practical Theology in the period 1983... see more

AbstractIn the late 19th century, colonial powers sought to destroy the Mthwakazi or Ndebele state in what is now Matabeleland in the south west region of Zimbabwe, to subdue and dominate its people. The people of Matabeleland suffered heavy losses of cat... see more

AbstractDuring 2017, churches with roots in the 16th century Reformation look back at five centuries of reformed Christianity. Much attention is given to important leaders of the Reformation such as Luther and Calvin. However, there are many for... see more

AbstractIn the late 19th century, colonial powers sought to destroy the Mthwakazi or Ndebele state in what is now Matabeleland in the south west region of Zimbabwe, to subdue and dominate its people. The people of Matabeleland suffered heavy losses of cat... see more

AbstractDuring 2017, churches with roots in the 16th century Reformation look back at five centuries of reformed Christianity. Much attention is given to important leaders of the Reformation such as Luther and Calvin. However, there are many for... see more

AbstractThe pendulum between subjectivity and objectivity in the theology of Theuns Dreyer – a dialogue This article reflects a conversation between Andries G. van Aarde and Theuns F.J. Dreyer. Dreyer was professor of Practical Theology in the period 1983... see more

AbstractThis article can serve as an overview of the work of Yolanda Dreyer, or as an introduction to her work, by conversing with her as a public theologian in the tradition of Schleiermacher. The article highlights her passion to listen to the voices th... see more

 The last mute film in Carl Th. Dreyer’s oeuvre, The Passion of Joan of Arc (1928), is often referred to as a film “made of close-ups” and purely cinematic. Dreyer used to stress himself that close-up was the specific cinematic device that ... see more

Com foco nas representações cinematográficas do trágico e na intertextualidade na obra fílmica Medeia (1988) de Lars Von Trier, reflete-se sobre a busca do diretor por um conteúdo metafórico próprio como mote de adaptação da obra clássica de Eurípides e a... see more

1 of 60 pages  |  10  records  |  more records»