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933  Articles
1 of 94 pages  |  10  records  |  more records»
Probably no other Polish filmmaker has devoted as much attention to the Polish United Workers’ Party (PZPR) as Krzysztof Kieslowski did in his films. Early on, he perceived the party as an organization where one could meet people with different desires, m... see more

Krzysztof Kieslowski and Ingmar Bergman belonged to different generations of film authors, but there was a certain artistic kinship between them. They were both interested in issues related to human existence, but their films also seem similar in terms of... see more

Krzysztof Kieslowski employed film properties in a creative way in his Three Colours (Trois couleurs, 1993–94) trilogy. They play various roles in Blue (Bleu, 1993), White (Blanc, 1993) and Red (Rogue, 1994): they make the presented world more p... see more

The paper presents an interview with Krzysztof Zanussi (born 17 June 1939), one of the most renowned award-winning Polish film directors. Some of his numerous films for television and cinema have been made in co-operation with German produc... see more

In his master’s thesis, Documentary Film and Reality, Krzysztof Kieslowski dealt with a number of problems that turned out to play a vital role in his future film career, and its documentary period in particular. This range of topics includes the concept ... see more

The films of Krzysztof Kieslowski arrived in Spain comparatively late, and when they did so this was mainly due to the Film Festivals at San Sebastián and Valladolid, as well the efforts of independent producers like the brothers José María and Miguel Mor... see more

AbstractTraces of migration and loss in Krzysztof Kieslowski’s Three colours trilogy This article will focus on Krzysztof Kieslowski’s “Three colours trilogy”, technically a French-Polish-Swiss co-production. Kieslowski lived in the West while filming the... see more

In this article I try to interpret the music aspect of Krzysztof Kieslowski’s famous movie The Double Life of Véronique (1991, music: Z. Preisner). The director, whose works are full of allusions to music and generally to art, always paid special attentio... see more

The main topic of the article is the transformation of Christian imagery in the secular art of the twentieth century. The reason for the conversation is the film by Polish director Krzysztof Kieslowski’s «The Decalogue» and its central image — sin and the... see more

1 of 94 pages  |  10  records  |  more records»