SUMMARY
In the last five decades, Toni Morrison’s fiction has covered such intricate topics as the impact of the past on the present, the damage produced on bodies and minds by different types of abuses, and the power and perils of small communities. She revisits some of those themes in her last novel, "God Help the Child" (2015), but this time zooms in more closely on the topics of child abuse and colorism – an internal racism of blacks against those with darker skin shades. "God Help the Child" proves innovative because the story is set in presentday fictional California, where the rate of child molestation – especially against black children – is just overwhelming. This article intends to show that, despite Morrison’s audacious narrative form and storytelling skills, there are some evident shortcomings in the structure and characterization of the novel that are not to be found in her earlier works.