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Volume 23 Number 1 Year 2021

9 articles in this issue 

Dragan Kujundžic

The paper attempts to situate the work of Fyodor Dostoevsky in the tradition of Russian existentialism, and to indicate his influence on the subsequent development of existentialism in its ontological or ethical guise. In fact, Dostoevsky may be seen as t... see more

Pags. 20 - 38  

Haozhan Sun

The goal of this essay is to show the compatibility between two currents in Dostoevsky's world, namely, the religious and the nihilistic. Based on Nietzsche's theory of nihilism and Deleuze's interpretation of Nietzsche, I introduce a dynamic model – reac... see more

Pags. 39 - 58  

Alessandro Carrieri

The essay aims to focus on reception and interpretation of Dostoevsky in the thought of Luigi Pareyson (1918-1991) and his heirs, who have developed a deep and original theoretical reading of Dostoevsky's work, able to bring out not only its ethical stanc... see more

Pags. 59 - 71  

Ava T. Wright

In an influential treatise, Mikhail Bakhtin (1984) asserts that the aim of Dostoevsky's distinctive poetics is to advance a revolutionary, "polyphonic" model of moral truth. In this paper, I argue that while Bakhtin correctly identifies essential features... see more

Pags. 72 - 85  

Robert S. Vuckovich

Buried within Fyodor Dostoevsky's works are glimpses of corrupt individuals who rise to the fore every now and then. Without these occasional revelations, not many would notice how diabolical an ordinary person really is. Although Dostoevsky does generali... see more

Pags. 86 - 104  

Jesús H. Ramirez

This paper explores Sigmund Freud's concept of repression in the existential strife exhibited by two main characters, Makar Alexyevitch and Varvara Alexyevna, in Fyodor Dostoevsky's Poor People. To demonstrate this, I psychoanalyze of how they handle thei... see more

Pags. 105 - 121  

Michael Deckard

This article examines Dostoevsky's "fantastic realism," which challenges the explanation of rationalism or empiricism in the need for determinate categories fixed in nature. His use of paintings by Hans Holbein, Claude Lorrain, and Raphael in terms of the... see more

Pags. 122 - 139  

Man Chun Szeto

In contrast to Kant's aesthetic, Gadamer proposes a fundamentally different way of understanding our experiences of art. One that is not restricted by the dichotomy between subjectivity and objectivity: A work of art is not simply an object created by an ... see more

Pags. 140 - 165  

Trevor Griffith

This paper looks at the themes of nature, humanity, and military and industrial development in the nineteenth century American painter Winslow Homer through the lens of the Hegelian theory of art. Robert Pippin's After the Beautiful (2015) has recently pu... see more

Pags. 166 - 183