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ISSN: 0582-3226    frecuency : 4   format : Electrónica

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Volume 14 Number The Saami Shaman Drum Year 1991

10 articles in this issue 

Tore Ahlbäck

Editorial note of papers presented at the symposium “The Saami Shaman Drum” in Åbo (Turku), Finland on August 19-20, 1988.

 

Åke Hultkrantz

Shamanism has not been restricted to northern Eurasia and the American Arctic, although it was here that it received its most remarkable forms. It is thus central to consider whether the drum is an integrative part of shamanism and should be examined agai... see more

 

Rolf Kjellström

The focus of this paper is on the traditional Saami hunting in relation to the animal and hunting motifs on their drum, more specifially the southern Saami drums. One may wonder if it is possible for anyone to interpret a picture unconditionally. One has ... see more

Pags. 111 - 132  

Rolf Kjellström

The focus of this paper is on the traditional Saami hunting in relation to the animal and hunting motifs on their drum, more specifially the southern Saami drums. One may wonder if it is possible for anyone to interpret a picture unconditionally. One has ... see more

Pags. 133 - 135  

Bo Sommarström

The aim of this contribution is to examine the possible influences of stellar constellations on the positioning of the drum figures on the drums used by the Saami people during the 17th and 18th centuries. Certain of the drum figures seem to have a simila... see more

Pags. 136 - 168  

Rolf Kristoffersson

Research on the Saami shamanic drum has mainly concerned the pictorial world of the drumhead. Therefore, studying the sound picture may give new insights into the Saami Shamanic drum. In my study of the Saami drum I have tried to find the answer to two qu... see more

Pags. 169 - 182  

Håkan Rydving

From the end of the 17th to the middle of the 18th century much of the confrontation between indigenous Saami religion and Christianity was focused on the drums. The Saamis of both Denmark—Norway and Sweden—Finland had been christianized for decade. The m... see more

Pags. 28 - 51  

Eero Autio

In articles about Finnish rock paintings particular attention has been paid to the significance of shamanism. The emphasis on shamanism leads in practice to the conclusion that a composition in which there is a man and a snake, or a snake like zig-zag fig... see more

Pags. 52 - 79  

Inger Zachrisson

The Saami shaman drums from northern Scandinavia can be discussed from many different points of view. For an archaeologist there are other questions of interest than those which generally occupy the historian of religions. One important question is how ol... see more

Pags. 80 - 95  

Bo Lundmark

When Linnaeus made his journey to Holland in 1735, a Saami drum was included in his baggage. The original owner of the drum was the Saami, Anders Nilsson Pont of Granbyn, who was denounced for the possession and use of drums. In this way Linnaeus received... see more

Pags. 96 - 110