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Volume 10 Number 1 Year 2022

12 articles in this issue 

Suphi Keskin

Reha Erdem’s third feature-length movie, What’s a Human, Anyway? (2004) deals with the problems of male characters towards gender roles. This movie also connotes that these problems occur from the views of female characters and parents. Although Erdem’s f... see more

Pags. 1 - 26  

Fazila Derya Agis

This study analyzes the female characters and their relationship to nature in the Turkish series, entitled “You are my country” (“Vatanim Sensin” originally in Turkish) or “Wounded Love” (2016-2018) from an ecofeminist point of view. The Turkish and Greek... see more

Pags. 27 - 58  

Michaela Keating

The rape-revenge narrative is fertile ground to explore and contextualize the experience of sexual violence and its aftermath. While typically a trope in genre films seen through the male gaze, female filmmakers are reclaiming this narrative. Two recent e... see more

Pags. 59 - 88  

Matteo Ciccognani

This article frames a theoretical discussion of cinematic gestures in their opposing forms, illusionism and reflexivity, exploring different modes connecting surveillance and film. One observes cinema as an illusionistic surveilling machine that records r... see more

Pags. 89 - 123  

Faten Ridene

Throughout the history of the humanity, and not withstanding of the humankind; the black magic has always been, and is still, an ugly and frightening human folklore in many cultures, whatever would be their religions and beliefs ; and from which, they are... see more

Pags. 124 - 149  

Baris Tolga Ekinci

There are many subgenres and a diverse range of creatures in horror cinema. One of these creatures is the Zombie. The Zombie character in cinema has evolved through eras. The Zombie which, in the past, was presented as a creature resurrected after death i... see more

Pags. 150 - 186  

Laurent Shervington

This article will consider Wim Wenders’ relationship to America in several of his films during the New German Cinema Movement of the 1970s and 1980s. In particular, it will explore the place America occupies as a fantasy object, framing this through the d... see more

Pags. 187 - 223  

Evdokia Stefanopoulou

The HBO limited television series Watchmen (2019) represents a politically engaged superhero television show, marking a shift in recent efforts to render the genre more inclusive in terms of gender and race. Specifically, in mixing fictional and real even... see more

Pags. 224 - 248  

Yasemin Barlan

This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters. The film belongs to the category of musical “singer films” of Turkish cinema, which were popular betw... see more

Pags. 249 - 272  

Mehmet Yilmazata,Erdem Güven

Discussing the debate and ideological background regarding national cinema, this form of art shall be compared to several other contemporary cinematic currents in Turkey. In this study, a content analysis comprising one of the rarer examples of national c... see more

Pags. 273 - 313  

Ikbal Sinemden Oylumlu

Thirteen Days is a historical political thriller, reflecting John F. Kennedy's leadership characteristics and the decision-making process during the Cuban Missile Crisis, close to reality. The study explains the connection between fictional and real and t... see more

Pags. 314 - 339  

Ioan Buteanu

The text reviews the book of Daniel Cornea: Cinema: A Reading inside the Church. For an Orthodox Theology of Culture (Romanian: Cinema-ul, o lectura îmbisericita. Pentru o teologie ortodoxa a culturii), Christiana Publishing House, 2017.

Pags. 340 - 346