Musicological Annual  

Stane Granda

Slovenian singing in the area, where that is not usual, was politically emancipated action. There were representing themselves with Slovene song in the area within Vienna Slavic community as German speaking fellow citizens. The meaning of singing in the p... see more

Matjaž Barbo

The article concentrates on two Linhart’s settings of poems from his Almanac (1781). Although these two pieces for more than 6o years precede the traditionally dated beginning of the Slovene solo song, their modest musical texture as well as their intimat... see more

Koraljka Kos

The authoress describes the development of the lied as one of the most important musical forms in 19th century Croatian culture, based on an analysis of the expressive power of works composed by Vatroslav Lisinski, Ferdo Wiesner Livadic, Ivan Padovec, and... see more

Andrej Misson

Slovene romanticism - not romanticism in Slovenia - began after 1848, and has, as a movement, gone on throughout the 20th century up to the present. The author gives the general characteristics of place and time under which Slovene composers have composed... see more

Borut Smrekar

In the article, the songs of one of the key 19th century Slovene composers are analysed. Attention focuses on problems, and solutions, of chronology, on the choice of texts, and the analysis of the compositional realizations, which aims at setting them in... see more

Aleš Nagode

Author deals with the questionable use of the combination of words ‘romantic lied’ as a label for Slovene compositional creativity in this genre in the 19th century. He bases his observation of the Slovene lied on two different understandings of the term ... see more

Jernej Weiss

Through a comparative analysis the author of this paper attempts to determine the essential compositional-technical characteristics, as well as esthetical directions in Josip Procházka’s eleven songs published in the magazine ‘Novi akordi’, written by the... see more

Katarina Bogunovic Hocevar

In spite of its small quantity, in its own way the piano opus of Janko Ravnik marked the history of Slovene piano music. Particularly with his early piano works, Ravnik opened up new dimensions in Slovene pianistic creativity. Addressing question as to wh... see more

Tatjana Markovic

The authoress focuses on detecting Viennese cultural influences of the second half of the 19th century upon the composing of Josif Marinkovic’s solo song, the culture in which he educated himself, and on revealing elements characteristic of Serbian cultur... see more

Vesna Mikic

This paper deals with the first cycle for soprano and orchestra in the history of Serbian music. The fact that it was written in 1950 by one of the most prominent Serbian modernist of the interwar period provokes the questions considering the context in w... see more

Franc Križnar

The article gives a minute survey and analysis of the archival sound material regarding 19th century Slovene creativity in the solo song genre, as preserved in the archives of RTV Slovenia, thus shedding important light on its reception in the second half... see more