16 articles in this issue
Mónica Barrientos,Laura Scarabelli
Introduction
Zaida Capote Cruz
This article proposes a look at the concept of the body, which is a privileged protagonist that always appears in Eltit's writing as a cut-out, always fragmentary; a suffering body that nevertheless overflows, accommodates itself, exalts itself and manage... see more
Andrés Grumann
Addressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this,I stop at the skin, the body, the voice and the pain as surfaces of... see more
Mario de la Torre-Espinosa
This article uses the concept of autofiction, created by Serge Dubrovsky in the seventies, for interpreting the political implications of the performance Zonas de dolor I, by Diamela Eltit. The author participation in these performances, and the subsequen... see more
Gonzalo Ignacio Rojas
The present article will analyze the voice of the narrator from the rhizomatic figure (Deleuze and Guattari) to determine its non-place in the construction of narrative scenes in the new performative forms of literary expression. Therefore, this condition... see more
Ana Maria Cristi C.
This article proposes to analyze the production of marginal subjectivities in Diamela Eltit’s Fuerzas especiales. To this end, from the theoretical approach of Félix Guattari, the material conformation that takes place between subject, space and echnology... see more
Eleonora Cróquer-Pedrón
This essay focuses on two unclassifiable books by the Chilean storyteller Diamela Eltit: El Padre Mío (1989) and El infarto del alma (1994). From the overexposure of the author thatmanifests itself in the first person as overturned towards the unavoidable... see more
Mario Federico David Cabrera
I propose in this article to look into the essays of Diamela Eltit and focus on two topics: feminism and writing. For this purpose, I will analyze a text corpus published in the books Emergencias (2000), Signos vitales (2008) and Réplicas (2016) from thre... see more
Cherie Zalaquett Aquea
This article analyzes the historicity of the concept of dismal journalism, formulated by the writer Diamela Eltit, to designate a set of communicative practices that make up the ideological discourse of the Chilean liberal press. The reflections of Diamel... see more
María Fernanda Alle
This paper inquire the configuration of an area of communist poetics in the framework of the magazine Cuadernos de Cultura in the 1950s. It is argued that the literary program defined from Cuadernos gave a prominent place to the diffusion and promotion of... see more
Alejandro Arteaga Martínez
In 2017, appears the book of fantastic stories Réquiem por Tijuana, by Mexican Néstor Robles. We propose that in Robles’ fantastic plots, set in Tijuana, the idea of community is criticized and, on the contrary, the fragility of human bonds is demonstrate... see more
Jorge Rosas-Godoy
The purpose of this analysis is to propose a theoretical-critical-literary approach and from a post-historical edge to the poetic work Vírgenes del Sol Inn Cabaret: vien benidos a la máquina welcome to the tv by Alexis Figueroa (1986). This approach leads... see more
Marcelo Sanhueza
This paper examines Rubén Darío’s España contemporánea. Crónicas y retratos literarios (1901) in order to problematize the author’s perspective and position of enunciation. In the first part, we address the ways in which Darío’s chronicles represent imper... see more
David Oubiña
The movement of underground cinema emerges in Latin America in the late sixties and, through radical formal experimentation, it tries to shape a political discourse. These films confront both with author cinema and with militant cinema. Apart from a share... see more
María Auxiliadora Balladares
Review
Mónica Barrientos