13 articles in this issue
Mareike Stoll
“A child’s hands” was chosen as the cover image for a monograph by photographer Aenne Biermann (1898–1933), published in Weimar Germany (1930) as part of a small series of paperback publications edited by Franz Roh and Jan Tschichold. Volume 1 of the same... see more
Lucia Pennati
This article aims to investigate the role of the photobook in architectural education and production through the case study of the publication One Year from Venice to India by the Land Route. 1956: Photosketches of a Slow Journey (2009). This engages with... see more
Miško Šuvakovic,Dubravka Ðuric
In the essay, we will deal with the models of the photo book of artists in conceptual art 1966–80. A short sketch of the international history of photo books in conceptual art will be presented, ranging from the examples of American, British, Croatian, an... see more
Julie Martin
Several artists who take into consideration the existence of the Internet in their process of documenting the world remain faithful to the photography book. They find in the codex an experience that a screen remains incapable of providing. The adoption of... see more
Adam Mazur
If we reflect on the “photobook phenomenon” that has been developing for a quarter of a century, it will lead us to the verification of the research on the subject in Central and Eastern Europe. The following text was directly triggered by the exhibition ... see more
Elisaveta Dvorakk
This contribution discusses selected historical photographs of the research project, collection, and photobook The Black Photo Album / Look at Me: 1890–1950 published in 2013 by Santu Mofokeng (1956–2020), both within the original context of their emergen... see more
Jelena Matic
The history of the photo book is practically old as the history of photography. A photo book is more than just an object with leaves and pages, photographs, with or without text. Throughout The Core, the work of the young artist Mladen Teofilovic, the tex... see more
Jelena Mišeljic
In the age of digital re-materialization and the circulation of visual content, the discussion on the nature of the photographic image has its implications on the medium itself. In the context of new and interconnected media, it is somewhat relevant to re... see more
Nikola Dedic
The basic thesis of the article is that in historical materialist theory a distinction can be made between the terms work and labor. Work refers to a specific activity – sewing, weaving, painting, sculpting. Labor refers to the social relationship, primar... see more
Ileana Nicoleta Salcudean
The study of organizational symbolism in the 1980s brought into discussion aspects referring to the image, the sentiments, and the representative values of an organization, pointing to an aesthetic sensibility that can generate meaning. This paper is part... see more
Andrija Filipovic
In this article, speculative virontology refers to a form of thought that revalues the biontological framework present in current queer theoretical and new materialist thinking. Using an archive of horror films, Paul Golding’s Pulse from 1988 in particula... see more
Maja Bosnic
Artist portfolioHow to cite this article: Bosnic, Maja. "Unwanted Musical Residues." AM Journal of Art and Media Studies 28 (September 2022): 182-189. doi: 10.25038/am.v0i28.526
Miško Šuvakovic
How to cite this article: Šuvakovic, Miško. "Book Review: Verena Gamper, Hans-Peter Wipplinger (eds): Ludwig Wittgenstein – Fotografie als analytische Praxis / Photography as Analytical Practice. Köln: Leopold Museum Wien, Verlag der Buchhandlung Wal... see more