15 articles in this issue
Yiannis Mylonas
Based on an interview with a hip-hop artist from Eastern Poland, this article critically assesses amateur art pro-duction proliferating throughout the globe today through individuals’ creative usages of new ICTs and new media affordances. The post-Fordist... see more
Charalambos Tsekeris
Sociology and society are undoubtedly on the move. The present concise reflection seeks to comprehensively elaborate on both the social science and the social life within the contemporary dynamical world environment. In this context, brief elaborations ar... see more
Peter Funke, Chris Robe, Todd Wolfson
Due to the increasingly atomized, isolated nature of social life, as well as the apparent splintering of the working class under neoliberal capitalism, media serve a pivotal infrastructural function for generating the necessary commonality between the fra... see more
Christian Fuchs, Göran Bolin
This paper is an introduction to tripleC’s special section “Critical Theory and Political Economy of the Internet” that presents papers from a session at the Nordmedia Conference 2011 (August 11-13, 2011, University of Akureyri, Iceland).
Göran Bolin
Media production in late capitalism is often measured in terms of economic value. If value is defined as the worth of a thing, a standard or measure, being the result of social praxis and negotiation between producers and consumers in various combinations... see more
Christian Fuchs
This paper analyzes Google’s political economy. In section 2, Google’s cycle of capital accumulation is explained and the role of surveillance in Google’s form of capital accumulation is explained. In section 3, the discussion if Google is “evil” is taken... see more
Peter Jakobsson, Fredrik Stiernstedt
In much scholarly writing and in many leftist and activist accounts the enclosures of the cultural commons have been fiercely critiqued. However, during the last years, new media business models, that challenge the notion of the cultural industries as “co... see more
Christina Neumayer
This article examines the critical potential of YouTube-comments to foster the development of counter public (Negt and Kluge 1972). The argument is based on an analysis of YouTube-comments in anti-fascist protests taking place in East Germany in 2011. The... see more
Johan Söderberg, Adel Daoud
“Atoms are the new bits”. That is the latest buzz arising from the Californian trade press. What do we get when this dictum is sampled with the old rallying cry: “Information wants to be free”? We suggest that the predominant, bounded critique of intellec... see more
Bjarki Valtysson
In this article, Facebook, as a communicative space, is treated as a public sphere in order to identify processes of colonization and emancipation. The analysis focuses on Facebook’s communicative-structural contexts, in particular from the viewpoint of u... see more
Jernej Prodnik
This article is a reflection on the following book (edited volume):Fuchs, Christian, Kees Boersma, Anders Albrechtslund, and Marisol Sandoval, eds. 2012. Internet and Surveillance: The Challenges of Web 2.0 and Social Media. New York: Routledge.
Tamara Shepherd
This article introduces the term “persona rights” as a normative conceptual framework for analyzing the language of regulatory debates around privacy and intellectual property online, mainly from a Canadian perspective. In using the concept of persona rig... see more
This paper presents reflections on the conference “Critique, Democracy and Philosophy in 21st Century Information Society. Towards Critical Theories of the Information Society” that took place at Uppsala University from May 2nd-4th, 2012. About 160 partic... see more
Ioannis Katerelos, Charalambos Tsekeris
We live in a ceaselessly changing and inescapably dynamic social world. Given the inherent unpredictability of human complex systems, this brief article seeks to show that agent-based social simulations can possibly approach the ideal of a fundamental law... see more
Becky Faith
Review of Migration and New Media: Transnational Families and Polymedia (Mirca Madianou and Daniel Miller)