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12.411  Articles
1 of 1.242 pages  |  10  records  |  more records»
The foundation of painting on its sources or “influences” serves to achieve its integration in a group of reference from which painting, any true painting that aims at the present, can and should take part. This work aims at an updating of the analysis th... see more

This article is devoted to the study of the picturesque heritage of the Dagestan artist Arsen Kurbanov (1990s). The choice of these chronological frames is conditioned by the desire to study the initial period of the artist's creative work, which determin... see more

The painting called “Lahouti (divine) and Nassotti (worldly) Intoxication”, has been drawn on a page in Divan Hafez by Sam Mirza, whose painter was Sultan Mohammad Naqash, a Tabriz Safavid School painter, who is regarded as one of the shining examples of ... see more

The research aim of art creation and presentation is to revitalize traditional glass painting in Indonesia by utilizing plexiglas flexibility as a medium in fine artwork. This is due to the use of glass as a medium is very heavy and easily broken when mov... see more

The article discusses the specifics of understanding the plastic expressiveness of painting by A. Osmerkin, which manifested itself differently at different stages of the artist’s creative biography, determined by the sociocultural context of the 192... see more

La muerte y el arte. Cuatro visiones de la caída de José Martí en la pintura cubana / Death and art. four visions of the fall of José Martí in Cuban painting La muerte y el arte. Cuatro visiones de la caída de José Martí en la pintura cubana / Death and art. four visions of the fall of José Martí in Cuban paintingObjetivo: exponer la visión sobre la muerte de Martí de cuatro importantes pintores cubanos del siglo veinte.Desarrollo: en la comunidad primitiva el hedor del cadáver era el método más práctico para determinar la muerte; luego fue el cese de las funciones cardiorrespiratorias. El desarrollo de la terapia intensiva exigió establecer criterios basados en formulaciones neurológicas. La pintura es una de las artes donde más aparece el tema de la muerte. En Cuba la vida más representada es la de Martí, pero también su muerte. Esteban Valderrama, Carlos Enríquez, Alicia Leal y Juan Vicente Bonachea exponen con diversos estilos su visión del “desgarramiento irrevocable” que significó la muerte de Martí para el pueblo cubano.Conclusiones: la representación de la muerte del apóstol está condicionada por la interpretación del artista según su visión del acontecimiento. En las obras se aprecia frustración ante lo inesperado, pero a la vez sosiego por la serena trascendencia a la inmortalidad del patriota cubano.Palabras clave: muerte; arte; José Martí; pintura cubana.ABSTRACTIntroduction: death exerts an inevitable gravitation on people. The declaration that a person is a corpse is a transcendental step that affects the relationships of the social environment of the deceased. The artistic representation of death, by its meaning in all aspects of life, became a common event. The presence of the figure of José Martí in painting is frequent and natural in the history of art in Cuba.Objective: to present the vision on the death of Martí of four important Cuban painters of the twentieth century.Development: in the primitive community the stench of the corpse was the most practical method to determine death; then it was the cessation of cardiorespiratory functions. The development of intensive therapy required establishing criteria based on neurological formulations. Painting is one of the arts where the subject of death most appears. In Cuba, the most represented life is Martí’s, but also his death. Esteban Valderrama, Carlos Enríquez, Alicia Leal and Juan Vicente Bonachea expose with different styles their vision of the “irrevocable tear” that meant the death of Martí for the Cuban people. Conclusions: the representation of the death of the apostle is conditioned by the artist’s interpretation according to his vision of the event. In the works there is frustration with the unexpected, but at the same time calm by the serene transcendence to the immortality of the Cuban patriot.Keywords: death; art; Jose Marti; Cuban painting.

ABSTRACTIntroduction: death exerts an inevitable gravitation on people. The declaration that a person is a corpse is a transcendental step that affects the relationships of the social environment of the deceased. The artistic representation of death, by i... see more

Text painting is a defining characteristic of the sixteenth-century madrigal style, especially in association with references to height. Whereas composers cannot have given musical illustration to every such reference contained within the text of a madrig... see more

Ceramic art products distributed in Indonesia are dominantly found as Chinese identity. This creation is aimed to create the art ceramics by Balinese style puppet ornaments. The creation method followed Gustami’s theory, namely exploration, improvisation,... see more

Images of the perfect portrait, the figuratively with plot paintings examples of human in the city of Sheki, palace of Sheki Khans and you can see House of Shekikhanovs. The restoration of the House of Shekikhanov’s began in November 2012. At the beginnin... see more

1 of 1.242 pages  |  10  records  |  more records»