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3.607  Articles
1 of 362 pages  |  10  records  |  more records»
The paper discusses Oliver Frljic’s production of Klatwa(Engl.: “The Curse”) which is based on the play with the same title by Stanislaw Wyspianski. Klatwapremiered in Teatr Powszechny in Warsaw on 18 February 2017 and created the biggest theatre scandal ... see more

The Centennial of one of the cruelest of European civil wars fought in Finland between the Reds and the Whites from January to May 1918 has evoked a spectrum of theatre productions illustrating variations of styles and approaches on the events. The turn i... see more

In recent years an increasing number of performances on the Baltic theatre stage attempt to escape the dominant understanding of “performing history” as a repetition or reinforcement of the monumental representations of the historical past or as a (re)pro... see more

Ludvig Holberg (1684-1754) and Charlotta Dorothea Biehl (1731-1788) are two key figures of the Nordic Enlightenment. The Norwegian Holberg took his philosophical and theological degrees from the University of Copenhagen at an early age and travelled aroun... see more

Albert Ranft started as an actor in touring theatre companies in the 1880’s, but soon became responsible for one of the most important groups. Twenty-five years later, he ran a big company with about 2500 employees, owned theatres in Stockholm and Gothen­... see more

This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As "parodies of esteem", both plays challenge the ultimate electoral victors of the peace process (the Democratic... see more

The tradition of studying Spanish Renaissance in Russia is quite a complicated phenomenon, which requires a detailed analysis. The main questions which arise when referring to the issue are those of developmental patterns and interdisciplinary aspect of t... see more

This essay examines Tim Loane's political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As "parodies of esteem", both plays challenge the ultimate electoral victors of the peace process (the Democratic... see more

Annelis Kuhlmann discusses the newly established archive of Odin Teatret. She finds, however, that the archive of Odin Teatret includes Odin Teatret’s well-known practice of re-circulating artistic material from one performance to another. In this practic... see more

1 of 362 pages  |  10  records  |  more records»