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Przestrzenie Teorii

   
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ARTICLE
TITLE

Iluzje obecnosci. Cielesnosc w Bez konca Krzysztofa Kieslowskiego

SUMMARY

This paper aims at providing an analysis of Krzysztof Kieslowski’s film No end (1984), focused mainly on representations of corporality. The article attempts to interpret possible meanings of the phantasmatic dimension of existence and its impact on the reality constructed in the film. It also examines issues related to identification and the articulation of sensuous presence in cinematic images.

KEYWORDS

PAGES
pp. 315 - 328

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