Home  /  African Music  /  Vol: 4 Núm: 4 Par: 0 (1970)  /  Article
ARTICLE
TITLE

THE DEVELOPMENT OF YORUBA CHURCH MUSIC

SUMMARY

From the beginning, the Catholic Church in Nigeria has sung in the vernaculars, but using European melodies and stanza forms. In 1947, Joseph Ojo of Oye-Ekiti started a development of truly Yoruba music and poetic forms for use in religious drama. At that time it was not possible to get priests or people to accept such music inside the churches.

 Articles related

Fernando Mora    

The purpose of this article, besides highlighting some of the history of Vineyard worship in Latin America, is to bring to the table a discussion about the use of translated songs and their influence in the development and maturation of Vineyard worship ... see more


Maya Purnama Sari,Dian Rinjani    

Abstract Drawing learning methods have the aim to develop children's creativity, both formal and informal schools. Observations made in elementary schools and creative studios have two different types of images, namely storytelling and patterned pictures... see more


Dana Yakobson,Sachar Shalit,Shmuel Arnon    

Preterm infants, especially those born before 32 weeks of gestation, experience extrauterine growth restriction (EUGR). Poor weight gain is associated with adverse neurocognitive outcomes. Many factors influence EUGR, including clinical, behavioral and d... see more


Alexandra Ullsten,Tarja Pölkki,Claire M. Ghetti    

Family integrated music therapy approaches may contribute significantly to the prevention and management of procedural pain in infants, and the discipline of music therapy requires more sophistication in understanding how and why. In this perspective art... see more


Helen Shoemark,Monika Nöcker-Ribaupierre    

This duoethnographic exploration expounds on the journeys of two women who pioneered music therapy in the NICUs in their respective countries. The dialogue uses their practice wisdom and research to illuminate core issues that have served the development... see more