Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator

Autores

Palavras-chave:

Corporeal Mimesis, Music, Presence, Cartography, Actor Dramaturgy.

Resumo

Built as a cartographic report, this article aims to give insight to the practical and conceptual procedures carried out during the research process that culminated in the scenic and musical creation of the show Uji – O Bom da Roda. Based on the cartographic method, we focus on encounters and contaminations produced between the theatrical universe and the roda de samba (samba circle) in its multiple expressive dimensions. Within a territory of creative frictions, Corporeal Mimesis presented itself as a fundamental element of articulation between music, body, scene and dramaturgy.


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Biografia do Autor

Eduardo Conegundes Souza, Universidade Federal de São Carlos

Atuo como professor e pesquisador do Departamento de Artes e Comunicação da UFSCar com doutorado em Artes da CEna pela UNICAMP. Estou vinculado ao curso de Licenciatura em Música.

Publicado

2021-06-30

Como Citar

Souza, E. C. (2021). Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator. Revista Brasileira De Estudos Da Presença, 11(3), 01–32. Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/113545

Edição

Seção

LUME Teatro